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Contents (57)
  1. THE TRIMMED LAMP
  2. * * *
  3. O. HENRY
  4. *
  5. Contents
  6. *
  7. The Trimmed Lamp
  8. *
  9. A Madison Square Arabian Night
  10. *
  11. The Rubaiyat of a Scotch Highball
  12. *
  13. The Pendulum
  14. *
  15. Two Thanksgiving Day Gentlemen
  16. *
  17. The Assessor of Success
  18. *
  19. The Buyer from Cactus City
  20. *
  21. The Badge of Policeman O'Roon
  22. *
  23. Brickdust Row
  24. *
  25. The Making of a New Yorker
  26. *
  27. Vanity and Some Sables
  28. *
  29. The Social Triangle
  30. *
  31. The Purple Dress
  32. *
  33. The Foreign Policy of Company 99
  34. *
  35. The Lost Blend
  36. *
  37. A Harlem Tragedy
  38. *
  39. "The Guilty Party"
  40. *
  41. According to Their Lights
  42. *
  43. A Midsummer Knight's Dream
  44. *
  45. The Last Leaf
  46. *
  47. The Count and the Wedding Guest
  48. *
  49. The Country of Elusion
  50. *
  51. The Ferry of Unfulfilment
  52. *
  53. The Tale of a Tainted Tenner
  54. *
  55. Elsie in New York
  56. *
  57. * * *

"I'm no Annie admirer!" said the "Kid," dropping a cigarette ash on his polished toe, and wiping it off on Tony's shoulder. "But I want to teach Liz a lesson. She thinks I belong to her. She's been bragging that I daren't speak to another girl. Liz is all right—in some ways. She's drinking a little too much lately. And she uses language that a lady oughtn't."

"You're engaged, ain't you?" asked Burke.

"Sure. We'll get married next year, maybe."

"I saw you make her drink her first glass of beer," said Burke. "That was two years ago, when she used to came down to the corner of Chrystie bare-headed to meet you after supper. She was a quiet sort of a kid then, and couldn't speak without blushing."

"She's a little spitfire, sometimes, now," said the Kid. "I hate jealousy. That's why I'm going to the dance with Annie. It'll teach her some sense."

"Well, you better look a little out," were Burke's last words. "If Liz was my girl and I was to sneak out to a dance coupled up with an Annie, I'd want a suit of chain armor on under my gladsome rags, all right."

Through the land of the stork-vulture wandered Liz. Her black eyes searched the passing crowds fierily but vaguely. Now and then she hummed bars of foolish little songs. Between times she set her small, white teeth together, and spake crisp words that the east side has added to language.

Liz's skirt was green silk. Her waist was a large brown-and-pink plaid, well-fitting and not without style. She wore a cluster ring of huge imitation rubies, and a locket that banged her knees at the bottom of a silver chain. Her shoes were run down over twisted high heels, and were strangers to polish. Her hat would scarcely have passed into a flour barrel.

The "Family Entrance" of the Blue Jay Café received her. At a table she sat, and punched the button with the air of milady ringing for her carriage. The waiter came with his large-chinned, low-voiced manner of respectful familiarity. Liz smoothed her silken skirt with a satisfied wriggle. She made the most of it. Here she could order and be waited upon. It was all that her world offered her of the prerogative of woman.

"Whiskey, Tommy," she said as her sisters further uptown murmur, "Champagne, James."

"Sure, Miss Lizzie. What'll the chaser be?"

"Seltzer. And say, Tommy, has the Kid been around to-day?"

"Why, no, Miss Lizzie, I haven't saw him to-day."

Fluently came the "Miss Lizzie," for the Kid was known to be one who required rigid upholdment of the dignity of his fiancee.

"I'm lookin' for 'm," said Liz, after the chaser had sputtered under her nose. "It's got to me that he says he'll take Annie Karlson to the dance. Let him. The pink-eyed white rat! I'm lookin' for 'm. You know me, Tommy. Two years me and the Kid's been engaged. Look at that ring. Five hundred, he said it cost. Let him take her to the dance. What'll I do? I'll cut his heart out. Another whiskey, Tommy."