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Chapters (68)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Part I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-One
  27. Part II
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Part III
  42. Chapter Thirty-Five
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Chapter Thirty-Eight
  46. Chapter Thirty-Nine
  47. Chapter Forty
  48. Chapter Forty-One
  49. Chapter Forty-Two
  50. Chapter Forty-Three
  51. Chapter Forty-Four
  52. Chapter Forty-Five
  53. Chapter Forty-Six
  54. Chapter Forty-Seven
  55. Chapter Forty-Eight
  56. Epilogue
  57. Author’s Note
  58. Acknowledgments
  59. Glossary
  60. P.S. Insights, Interviews & More . . .*
  61. About the Author
  62. Buenos Aires, 1996
  63. About the Book
  64. Ezrat Nashim Poster
  65. Reading Group Guide
  66. Praise
  67. Also by Talia Carner
  68. About the Publisher

Batya peeked through the open side of the warehouse-like structure. Several well-dressed people glided inside a fenced area. The swooshing scrape of their blades on the ice accompanied the music. She bent down and snaked her hand through the railing to touch the ice. The skin of her fingers stuck to it; after years of being away from it, she had forgotten that it could burn.

She straightened and rushed on to her appointment. Rather than pick her up, Sergio had secured Moskowitz’s permission for Batya to go by herself to the costume store. It would take two hours to get her dressed and ready.

Batya walked into a shop filled with gowns made of layers of flowing chiffon and dotted with glittering sequins.

The shop matron’s eyes raked over Batya. “So you are Señor Rosenberg’s new metziah?” she sneered, and then, as if Batya weren’t around, said to her helper, “Where else would he find a dancer but in a brothel? Take her to the storage room so our good clients don’t see her trying on our dresses, or we won’t be able to sell them.”

The insult felt stale, like chewing on old bread. “Maybe I should go elsewhere to rent a dress,” Batya said, pretending to start for the door.

The matron grabbed Batya’s hand. “But I have the perfect one for you.” Her bluff called out, the woman’s tone changed to pleading. “Just take a look.” She removed a magnificent pink dress from a rack and nudged Batya to a dressing room whose walls were upholstered in cream velvet.

“Pin and sew the hem,” Batya ordered when she put on the dress. “I don’t want to catch it with my heels.”

After selecting a pair of shoes with medium-height heels, Batya sat down and gave herself over to the ministering of the assistant.

The young woman parted Batya’s hair in a straight line two centimeters off the middle and pulled it tight into a severe chignon, then smoothed down with coconut oil any stray strands. Using a soft black pencil, she lined Batya’s eyes, elongating them almost to her temples, and then darkened the light-brown eyebrows into black arches. To finish the look, she wet the tip of the pencil with her tongue and dotted a beauty mark on Batya’s cheekbone. “Don’t look yet,” she told Batya, and secured a pink hibiscus flower in her hair.

The proprietor returned with Batya’s hemmed dress and helped her into it. Batya turned to look at herself in the mirror. The woman who stared back at her had little resemblance to the woman she’d known as herself—or even as Esperanza. That’s better, she thought. Like in prostitution, hiding behind a mask helped her fight her trepidation about performing for a large audience and being judged.