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Chapters (68)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Part I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-One
  27. Part II
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Part III
  42. Chapter Thirty-Five
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Chapter Thirty-Eight
  46. Chapter Thirty-Nine
  47. Chapter Forty
  48. Chapter Forty-One
  49. Chapter Forty-Two
  50. Chapter Forty-Three
  51. Chapter Forty-Four
  52. Chapter Forty-Five
  53. Chapter Forty-Six
  54. Chapter Forty-Seven
  55. Chapter Forty-Eight
  56. Epilogue
  57. Author’s Note
  58. Acknowledgments
  59. Glossary
  60. P.S. Insights, Interviews & More . . .*
  61. About the Author
  62. Buenos Aires, 1996
  63. About the Book
  64. Ezrat Nashim Poster
  65. Reading Group Guide
  66. Praise
  67. Also by Talia Carner
  68. About the Publisher

She had slid out of bed and pulled out the trunk. She lit a candle instead of the kerosene lamp, so no light would be seen from her window while she examined the caricature of Dreyfus. Her finger stroked his face. The plight of this man across the ocean had touched her because, like her, he was trapped in a web of lies; like her, he’d lost his freedom. Like her, he didn’t know who his real friends were.

The next morning, Moskowitz had asked her, “How is your dance practice coming along?”

Batya’s heart skipped a beat. She shrugged. What if he came by to watch? The fact that she hadn’t yet been caught giving her testimony to Señor Joaquin Ramos was a miracle.

But miracles never happened to her. Ulmann wouldn’t bring her family over, and if she were murdered by Zwi Migdal’s thugs, her family wouldn’t be rescued either. If she were to continue working with Sergio, something must change.

Chapter Forty-Two

Winter 1895

Winter arrived with barely the benefit of autumn, and the sunlight that washed the world dimmed. For days, rain came down with no reprieve, driving into the windowpanes, and chill burrowed into the porous walls and penetrated the bones.

Ulmann hadn’t been to the house for two weeks. Maybe he was busy with the upcoming Rosh Hashanah orders, sitting by a table at the back of his store late into the night, fashioning fine jewelry for rich customers. Or perhaps he was ill; so many people suffered from severe coughs. Having sent three girls to the hospital, Freda refused clients who obviously posed a health risk.

Batya stood in the corridor outside her chamber. Winter wind blew in from the patio and whistled an eerie music through the cracks around the ill-fitting window frames, and it echoed through the corridor, as if an evil eye were searching for a soul to capture. Batya buttoned up the green cardigan that Glikel had knit for her as what had at first seemed like an olive branch. Batya had purchased the wool according to Glikel’s instructions, but when she completed the cardigan, Glikel requested payment for her labor. Her opium consumption had increased and with it her need for money.

Batya tucked her hands into the cardigan’s deep pockets, fearing Glikel’s mean spirit knitted into each stitch. She preferred the warmth of her magenta-colored velvet robe, which flowed luxuriously down to the floor, but the pretty robe had to be kept pristine, worn only when she worked. From the top of the stairs she confirmed that no client was waiting in the pavilion, so she descended and made her way through to stop by the coal-burning stove. Later in the afternoon, the musicians would station themselves in front of it in order to keep their fingers nimble.