Back The Things We Don't See
Chapters (45)
  1. TITLE PAGE
  2. ABOUT THE AUTHOR
  3. PART ONE: Who is She if Not Everyone Else’s?
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. PART TWO: Take the Bullet Out
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. PART THREE: Orion Waves
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. ACKNOWLEDGEMENTS
  44. AUTHOR INTERVIEW
  45. COPYRIGHT

‘It’s OK, really.’ I think of the boy from earlier. I like him. I like him and I don’t like anyone. Between breakfast, and his attentiveness and thorough lack of suspicion, there’s something about him that strikes me as truly kind. In any case, it’d be useful to know someone near my age who’s actually a resident and not just a Seasonal; maybe he’ll have some insight. ‘Is Ellis still around?’ I ask.

‘He’s back working the bike desk for me.’

‘Oh. Well, please tell him thanks again. He was really nice.’

Sylvia massages the back of her neck. ‘He’s a good boy. I’m sure you’ll see him around.’

I thank her again and go.

I trek along the side of the house, back to my car in the parking lot, and focus my modestly topped-up energy on getting to the dorm in one piece, the black ooze of sleep and strangeness still not entirely dissipated. The drive takes me, as Sylvia instructed, back on to the main road and down the sea-swaddled isthmus, the early afternoon sun beginning its downward arch on my left.

Seiburt House is easy enough to find, less easy on the eyes. It’s a protuberance of a building, square and brown and landlocked, no real view of the sea, and inside, the hallway is poorly lit and paved with a muddy carpet curling at the edges. There’s a modest kitchen and a shared bathroom on the ground floor. My room is on the first floor, concealed only by a particle-board door so cheap and worn I’m sure I could crush it in my hands. Opened and there’s a cell: carpet with mysterious stains and cracked white walls, and I’m not actually sure what state the room was in this morning if this is how it looks clean.

The main issue, however, is one of duplication: two beds. Two desks. I’ll have a room-mate. All my research and I couldn’t even bother to anticipate this?

Without any guarantee of privacy my plans of day-by-day documenting, recording are all but dashed. Of course I could record when they’re not here, but they still might show up unannounced, or ask questions about the equipment. A sinking resignation settles in me.

Each of the desks is adorned with a packet of papers – one addressed to me, the other to someone called Peyton Reed. My packet says I’m assigned to The Island Spot, a nearby diner with a thrillingly imaginative name, and I need to report there for my orientation at six thirty on Monday morning. My mercifully morning-person brain doesn’t flinch.