Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

She crossed the room and held up a clenched fist. ‘There is no peace we can weave that will preserve Yaloh and Tokob autonomy – only violence can do that. So that’s what we give, side by side, offering violence for freedom. As your council promised us.’

Tayan didn’t answer her. Instead he stared out at the Spear’s estate, filled with people and gardens and small plots of crops. It seemed so normal, if you discounted that every person was a slave and the estate had been built with, and was maintained by, their blood. Not even the most fevered journeying had ever shown him something like this, so subtly, nauseatingly wrong.

The Pechaqueh sat in these grand stone houses and ate food they hadn’t planted, tended, harvested or killed. They wore clothes they hadn’t made themselves or traded their own skill for, ate from plates they hadn’t created, took medicine they didn’t know how to gather and prepare. They did nothing but accumulate wealth and enemies and buy people to tend to them, as though they were helpless newborns.

Their actions tilted the world beneath their feet, destroyed the harmony of nature, the delicate pause between plenty and poverty, life and death. The ancestors cried out at the indignity, at the brands of ownership, the bowed heads, the fearful silence. Surely the lords of the Underworld stirred, restless and secretly pleased with the turmoil – as if the Pechaqueh were calling to them through their monstrous intermediaries, the Drowned.

The Empire was sick, Tayan realised, feasting on its own flesh and bones for sustenance, unable to see the poison for what it was. There were rivers out there, rivers curling through the city. Infested with Drowned so bloated and gorged on human flesh that they did not sing, did not need to. Slaves were thrown into those rivers every new moon.

And we are going to see it.

Hundreds of sacrifices to placate the so-called gods – though really just to feed their bellies. In an Empire that prided itself on its song-magic, the Pechaqueh lived in terror of theirs. The irony was so thick Tayan could taste it.

Under the song. The blessing and valediction, words that were both a promise and a threat. And the song itself, a low, voiceless melody filled with emotion and power and yearning and comfort, pulling at his spirit, bleeding into his ears, his mind, never to be expelled. He’d miss it when they returned to Tokoban, just as Enet had promised. It’s poison. But so sweet, so gloriously sweet that my skin drinks it like nectar.