Back The Stone Knife Save as PDF
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

The steep slopes and narrow trails of hilly Tokoban would slow them when they came, but as the horizon widened day by day and he saw the multitude of slaves toiling in fields too wide for him to see across, and they passed cities greater than the Sky City and stepped off the road to let free people, not only Pechaqueh, pass them, he knew the hills wouldn’t stop them. He began to suspect nothing would. Were they still on a peace mission, or just a negotiation to delay the inevitable? Could trade and tithes stave off their endless numbers? Or would they be forced to accept the song before they were allowed to live in peace? Would even that concession be enough to sate Pechaqueh lust? Would anything?

PILOS

Singing City, Pechacan, Empire of Songs

148th day of the Great Star at morning

It was good to be home. Better than good, it was cleansing to the soul to be back in the Empire, to be back under the song that had been absent his blood for so many months. It coursed both around him and inside him, through his veins, beneath his skin and within his bones, the comforting endless music of divinity, of glory. Of home.

High Feather Pilos, commander of the Melody and all its Talons, wore a fresh tunic and kilt in alternating bands of red and black, new sandals laced up at his ankles, and a cloak of feathers denoting his rank, brushed of dirt and freshly oiled against the rain. More feathers were braided into his hair, war feathers and honour feathers, and the single stiff tail feather of a turkey sticking up over his ear to announce his peaceful intent.

At his side marched Atu; the young warrior was his second in command, not that it was apparent from his gleeful, grinning appearance. He’d been away from his home and wife here in the Singing City for a year, and she’d been one of the first waiting beneath the ceremonial arch to welcome the Melody home in victory. Pilos smirked at the heat of her welcome for him – he knew what Atu would be doing within an hour of being dismissed.

Behind them in a long snake marched the Melody, slave warriors at the rear, dog warriors in the middle and the elite, full-blood Pechaqueh eagle warriors immediately behind the High Feather. The macaws, wearing their scarlet feathers, patrolled to either side of the long lines of captives – they were half-blood Pechaqueh, a step below elite, a step above the no-blood slaves and dogs. Scattered among them were the secretive, anonymous Whispers, more rumour than fact, more legend than living.

Every warrior wore a peace feather above one ear, and that covenant was sacred.