Back The Stone Knife Save as PDF
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

The knife was next to them, within reach of the peace-weaver – if she could free her hands. Another thrill shivered through Enet and she shifted on her knees, facing the Singer, avid, living his joy through the song, buffeted by the storm of his emotions.

The Yalotl was on her back, helpless to avoid the beating, her head snapping one way and then the other. Whatever she was shouting was garbled, lost amid the punches raining on her jaw and mouth until they faded into grunts. Blood and a tooth splattered from her mouth and across Enet’s tunic, up in a line of dots across her throat. Xac paused, staring intently at the blood on her skin, and then he leant forward and licked it from her neck.

The source was swimming with power, so thick Enet couldn’t help but breathe it in like pollen, like sunlight, until it filled her with radiance and need and she found the abandoned knife and shoved it into the Singer’s hand. The Chorus dropped his club and fell to his knees at her side, his hands clenching and unclenching with brimming, uncontrolled need as they watched Xac work, song-driven lust and bloodlust filling them both.

Enet watched her holy lord, her great Singer, her lover, as he peeled the Yaloh face off with the knife and wove her screams into the song until it roared and beat at them, beat inside them until they were all three growling like animals and everything was edged in golden radiance, in power.

Xac pulled Betsu’s face, still blood-warm, over his own and showed it to her. She screamed louder, somehow still fighting, but the Singer was invincible in his magic now and he lifted her in one hand and dragged her, clawing at his arm, to the offering pool.

A Setat rose with a need greater even than the Singer’s. Its song filled the source, filled them with such yearning, such inescapable delight amid the carnage and the power that Enet orgasmed as Betsu, faceless and yet somehow, she knew, smiling, freed herself from the Singer’s grip and walked into the water, arms out to receive the Setatmeh claw-tipped embrace.

They watched the waters turn pink and the Singer threw the woman’s face into the pool and then he returned at a run and fell on Enet like an eagle, his lust swallowing her whole.

And the song roared on.

THE SINGER

The source, Singing City, Pechacan, Empire of Songs

The song is mine, my will and creation, my duty and my glory. I craft my greatness into music. My flesh and mind, my soul and intentions. My divinity.

I know the song’s needs; I know the Empire’s needs. None may gainsay me or stand against my will.