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Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

As always, I tried to jam in as many of my favourite things as possible, and as always, my agent, beta readers and editors forced me to relax my death grip and cut out the bits that didn’t serve the story. So, thanks, in turn, to Harry Illingworth of DHH Literary Agency, for the endless encouragement and insightful commentary; to Mike Brooks and Stewart Hotston for extraordinary beta reading and to Sam Hawke, who helped me rework the opening chapters (also, they all write awesome books you should definitely read); and to Jack Renninson and Natasha Bardon at HarperVoyager for taking on another series and doing such an amazing job at teasing out what exactly I was trying to say with this book.

Thanks to Richenda Todd, copy editor extraordinaire, who deserves all the cake for doing such an incredible job under very tight time constraints and saving me from terrible calendrical errors on three separate occasions – including pointing out that I’d miscalculated a historical reference by more than 1,200 years …

And thanks to Stephen Mulcahey and Nicolette Caven for the beautiful and evocative cover and map, which really tie the book together and bring it to life.

Thanks also to all the staff and alumni at Writing the Other; you’re doing great work and helping to deliver authentic and realistic diverse worlds and characters through your lectures and courses.

Special thanks to David Bowles – lecturer, translator, author and historian – who helped me ground my fantasy world in reality and add depth and truth to my characters. It was a privilege to work with and learn from you.

As always, to the Five – JP, Kareem, Laura, Mike, Sadir – for just being awesome and always supportive, even if we can’t meet up right now. And to the rogues’ gallery of everyone I’ve played RPGs with this year – you’ve been a source of endless fun and supreme frustration. My DM skills are not the best, but, to be fair, look who it is I’m working with. I love you all.

And to the authors of the Bunker – it’s a privilege to know you and share the worries and weirdnesses of this very peculiar industry with you. A special thankyou to the ANZ contingent, who first brought up the subject of writing your id, which has had a profound effect on how I approach my work now. Honestly, it’s a game-changer and I can’t thank you enough.

And, of course, my family and friends, for your endless love and support, and Mark, for giving me space and time when I need it, and distractions when I need those. There’s no way I’d be able to do this without you. I’m the luckiest idiot ever. I love you.

Black Lives Matter.

By Anna Stephens

Godblind

Darksoul

Bloodchild

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About the Publisher

Australia

HarperCollins Publishers Australia Pty. Ltd.

Level 13, 201 Elizabeth Street

Sydney, NSW 2000, Australia

Canada

HarperCollins Canada

Bay Adelaide Centre, East Tower