Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

Enet suppressed a sigh and sat; then she gestured for them to do the same. She clapped once. ‘Refreshments for my guests, and arrange clean clothes for them. And some cloths so that they may remove the worst of the mud,’ she added. They’d removed their sandals in the entrance, but their feet appeared just as filthy and there were already marks on her mats.

Tayan grimaced and looked down. ‘The Wet is heavy already, is it not?’ he asked. ‘I apologise for the mess we have made. We were, ah, unaware we would be meeting you immediately upon our arrival or we would have ensured we were more presentable. Thank you,’ he added to the slave handing him the square of cotton. He scrubbed at the mud coating his feet and legs, then used a clean corner to squeeze the water from his hair. It was long, coming halfway down his back, threaded with strings of dyed-blue bird bones and painted clay beads. His kilt was patterned with blue squares, as was his sleeveless tunic. Four long, pale scars marred the side of his left leg; that would have been a nasty injury.

‘Would you like to bathe?’ she asked before they were settled and was gratified to see them both recoil.

‘Thank you, no. Unless that is a requirement of your society? We do not wish to cause offence and this is only our first meeting.’

Enet met Betsu’s eyes and an understanding as to the nature of these meetings passed between them.

‘You cause no offence,’ the Great Octave said softly.

The shaman retrieved his bag and knelt opposite Enet. Betsu joined them, impassive, as he began to lay out items on the low table between them. One of Enet’s guards shifted away from the wall and she raised her hand to still them, curious. There was a small clay jar, tightly stoppered, a series of well-carved statues, and a soft deerskin pouch. ‘Do you have a bowl and grinding stone for us to prepare the magic?’ he asked.

‘The … magic?’ Enet asked. The man indicated the vial and the pouch. ‘Oh yes, your frog-magic. It is true you lick them? Is there one in there?’ She leant forward and prodded the pouch with a long fingernail; it was disappointingly soft.

The shaman coughed. ‘See how we already learn about each other?’ he said with forced cheer. ‘When we journey to the realm of the ancestors, or to speak with Malel, our goddess, or those spirits not yet reborn, the path is arduous, and to speak with the dead is a difficult task. Our magic eases that passage. Does your song-magic require the same?’

‘It does not.’

The Toko waited for more, but Enet was silent. Her estate slave knelt behind the peace-weavers, alert to her smallest gesture or requirement. It clearly made the pair nervous to have his silent presence behind them.