Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

Pilos shut away the thought and filled his mind with awe and wonder. It wasn’t difficult, even when staring at the floor in front of him, the bright murals painted on the walls only visible from his peripheral vision. He’d be at leisure to examine them on the way out: the stories of war and glory and expansion, the legends of the earliest Singers, and everywhere, repeated, depictions of the holy Setatmeh and the world spirit itself. All of them painted by the best and most famous artists of Pechacan throughout the years and Star cycles since the discovery of the song-magic.

The song hummed and grew in volume and strength as they wove their way through the palace corridors. Choosers and courtesans, body slaves and the elite eagle warriors of the Singer’s Chorus all watching them pass with curiosity and not a little suspicion.

Eventually – and yet too soon – the smooth cool stone beneath their feet changed to thickly woven mats in azure blue and they paused until the council had entered and sat, then stepped into the Singer’s inner sanctum, the very source of the song itself. Atu’s breathing roughened just a little as he took in the huge oval room, the colonnaded wall opening onto vibrant gardens alive with finches and parrots and hummingbirds flitting among the palms and bamboo and small trees. Green life and incense mingled on the gentle breeze. The other walls were covered in murals even more exquisite than those of the corridors, including one that depicted the whole of the Ixachipan peninsula. There was space left to paint in Yalotlan and Tokoban when those lands and tribes were brought under the song. Pilos vowed to be the one to achieve that for the Singer’s glory. Atu had halted, overcome, and Pilos flicked his arm lightly with his fingers.

‘Spear of the Singer and High Feather Pilos, and Feather Atu, second in command of the Melody, request entrance to this council,’ Pilos said. The other councillors had already taken the cushions closest to the holy lord, leaving them on the outside of the circle. It didn’t matter; Pilos was Spear and his voice would still be heard. Should the Singer so wish it.

The song was a living thing here in the source, with weight and substance that sat not just on their skin but in their bones. The Singer’s will, inviolable anywhere in the Empire, was in this room as immovable as the pyramid itself. Everyone inside these walls could do nothing but obey the Singer and the dictates of his song.