Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

Enet affected a careless laugh and put her hands on his hips, coaxing him forwards. He resisted. ‘I am Spear of the City, holy lord. I administrate your councils, run the Choosers and the flesh markets and oversee the provision of songstone and erection of new pyramids. My days are full of work on the Empire’s behalf and for your glory. You have fifty other courtesans, great Singer,’ she added when he seemed unmoved. ‘Any of the women among them can and do give you children, and I know of at least five of the men who are actively seeking promising youngsters you might wish to adopt with them. Our time here together is for pleasure, not for—’

‘You are a courtesan,’ the Singer interrupted. ‘My courtesan.’

‘Spear of the City,’ Enet corrected him with a smile. ‘And so much more than a mere vessel for your seed.’

The Singer went very still and too late the words echoed in Enet’s head, the tone of them misjudged and faintly repulsed, curdling with the choir singing softly in another room. Their teasing, faintly barbed banter was a spice to their relationship, but she knew that this time she’d gone too far.

Singer Xac reared up, lurching off her as if she were a week-dead corpse. ‘What?’ His tone was deadly.

Enet scrambled onto her knees and put her forehead to the mats. The quick patter of feet behind her and then the cold, lethal point of Nara’s spear was pressed against the side of her neck. Heartbeats later the soft weight of her body slave crashed onto her back, shielding her from harm.

‘Holy lord?’ Nara’s voice was colder than the obsidian. Just as deadly. The Singer was quiet for far too long and Enet began to sweat again. The slave was little more than wrinkled skin stretched over bird-hollow bones, but her elbow was jammed in the crook of Enet’s neck and shoulder as she sought to protect her, though the absurdity of their tangle was more painful than the pressure. It was also deeply humiliating.

And then the Singer began to laugh. ‘I do love Chitenecah slaves,’ he said. ‘Loyalty is bred so deep in their bones they can’t help themselves. Either that or she wants to fuck you, eh, Enet?’

Enet blushed but was silent. The Singer waved and Nara stepped away and hauled the slave off her back. She still didn’t move. Around them, the song grumbled and then settled, and the Singer’s emotions were palpable, swirling through the source like the breeze through the colonnaded wall out to the gardens.

The slave scurried away and Nara retreated to the wall, slow and wary. Enet still didn’t move.

‘Dancers,’ the Singer called and she heard the slap of bare feet running into the room. A drum began, and then a reed flute. The Singer settled back in the pillows. Enet still didn’t move.