Back The Stone Knife Save as PDF
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

For now, though, Enet put such thoughts from her mind and slipped into a loose kilt and tunic, with a wide red sash bound from her hips up to her breasts. Another symbol of power. The body slave knelt near with the tray of cosmetics, but she could wait a little longer. The Great Octave reopened the letter and scanned its contents. Another potential source of songstone had been uncovered, in Chitenec of all places. She’d thought all those quarries had been worked out. She’d been told so. Now there was yet another challenge to her supply of the sacred stone and she still hadn’t managed to successfully raise the subject of the Tokoban songstone with the Singer. Fixated as he was on war and blooding the song, he could fly into a spectacular rage when she mentioned anything that might increase her influence.

‘You,’ she said to her estate slave and the man bowed. ‘I want an accurate report on the supply in Chitenec, and I don’t want anyone to know it’s me asking, so use at least four intermediaries to cover your trail. If it’s rich enough, buy it but keep my name out of it. But if it’s small, buy a stake in it – and do that publicly. We can afford to lose a little wealth for the status it will bring. But I want to know who buys the other stakes.’

‘As the Great Octave commands,’ the man said and bowed again. Frowning, Enet put the letter in a dish and touched a candle to it. She couldn’t let just anyone begin supplying songstone, for new pyramids were always required, not just in the new parts of the Empire but to replace those that grew old or unstable, or where the songstone caps cracked and failed.

The construction of pyramids and supply of their crucial, magical capstone was an honour that could not be handed out thoughtlessly. While theoretically, anyone with the wealth to do so could contribute a songstone cap, the reality was that Enet had spent two Star cycles covertly gathering all the songstone supplies into her hands, and strictly monitored those whom she allowed to purchase from her. Not that anyone knew they were purchasing from her, of course. But controlling the pyramids controlled the flow of status, the height or depth within society of the family offering their wealth to their development. Let them scrabble for limestone and sandstone and timber; Enet didn’t care for those. But for the songstone, for the source of the world spirit’s own voice, its own dreams, perhaps? No. No, access to that must be strictly supervised, and who better to do so than the Great Octave herself?

‘You. Do my face.’ The slave scurried over and began to apply the cosmetics, the charcoal around her eyes and the staining for her lips. Another began fixing the feathered headdress to Enet’s hair with pins.