Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

‘The other information I have for you is from Councillor Yana. He is almost certain Enet controls a songstone quarry, at least one, owned through a number of subsidiaries so that it cannot be traced back to her. For the last four sun-years she has controlled all the provision of songstone to the Empire. He says that through clever manipulation of the council she has been earning enormous sums selling it to the architects capping pyramids and expanding the reach of the song. When you forwarded on Whisper Ilandeh’s report that Tokoban is rich in songstone and it was read out in council, Yana says Enet was furious. He thinks she fears the loss of her control over its supply.’

Pilos gaped again. The news, in its way, was just as shocking. ‘Songstone is divine,’ he spluttered. ‘It is not to be, to be fucking bartered for like a slave or an ear of corn. How has the council allowed this to happen? She cannot just sell it. No one sells songstone.’

Elaq’s mouth twisted with bitter humour. ‘The costs have been cleverly disguised – the use of artisans to quarry and shape the stone before removal; the prohibitive costs of transport, both of materials to move the stone and in offerings to any holy Setatmeh encountered along the route; the alleged difficulty in accessing the stone itself and the increased labour required to chip it free. Not one of the costs has ever actually been attributed to the stone itself. That remains, for all intents and purposes, free and sacred as it always has been. The Great Octave has merely been requesting compensation for the labour.’

‘That bitch-slut-snake,’ Pilos growled. It made sense though. For years Pilos had tried to discover the source of Enet’s influence and failed. The number of families who could afford the honour of commissioning a songstone cap for a pyramid – gifting the money directly to the source rather than to anyone who owned a songstone mine – was vanishingly small, and nearly all of them had a seat on the council. And … all of those councillors were loyal to Enet. ‘So Enet can deny her rivals access to songstone if she chooses, or she can barter for information from them. Payment in knowledge if not in jade.’

Pilos turned to walk backwards and caught Atu’s eye. He circled his finger in the air and his second nodded, and as the last notes of the marching song faded away, he began another.