Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

The Whisper’s spirit tugged from her flesh, a whipping flag trailing behind her, touching the raw magic of the song itself and she heard a whimper that she knew to be her own, but didn’t – couldn’t – look away. The Listener’s mind had claws in hers and led her forward, both with and against the current at once, across the sticks, across the jungle, into Pechacan and the Singing City and far beyond, to Pilos. To the fortress. To home.

Ilandeh felt the shock of connection, the confusion as the Listener contacted Pilos and he responded, and then he drew her into her High Feather’s mind, into a small, shuttered place of darkness and water, cut off from the rest of his thoughts and feelings. Protected. Private.

‘Flight Ilandeh?’

Ilandeh tumbled in the song and in their shared consciousness, striving to control her emotions – relief, delight, something akin to love – as his voice echoed all around her. ‘High Feather!’ Her inner voice was golden with relief, sparking within the liminal darkness.

‘You are early.’ His words entered blue with caution, tinging to red alarm. ‘What has happened?’

‘Three thousand Tokob and Yaloh have marched to southern Yalotlan to free slaves and destroy the pyramids before the peace-weaving is made official, in case part of the agreement is that the Empire keeps all land newly beneath the song.’

The space they were in blazed purple, iridescent as a hummingbird’s wing: rage. Ilandeh quailed before it. ‘Forgive me, High Feather,’ she began.

‘Could you have prevented it?’ he demanded, the purple fading, though not by much.

‘No, High Feather.’ She wanted to apologise again, but the truth was there was nothing she could have done to stop them. ‘Dakto has gone with one of the Paws. He will endeavour to contact a pod and spread word as well as he may without alerting the Tokob to his intentions. I had hoped you might have heard from or of him by now?’

‘We have not. I thank you for the advance warning. I will have to let the Singer know they are using the cover of the Wet.’ There was a pause. ‘It’s going to be Quitoban all over again,’ he said, almost to himself.

Ilandeh knew she flashed yellow with anxiety at his prediction, could do nothing about it. She wasn’t as skilled at concealing her emotions when communicating through the song. At least Yalotlan didn’t have sticks and sticks of swamp and tidal marshes to navigate, the way Quitoban had.

‘What else?’