Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

Deliberately, he thought of Lilla, the tilt of his head when Tayan said something stupid, the curve of his mouth in the dark, the heat of his flesh and the strength of his body. He thought of his laugh, low and infectious and more beautiful by far than this fucking monkey-chatter. That was the real music of his life. The only song he needed was Lilla’s voice.

‘You will be escorted to Yalotlan; I trust you can make your way home from there, carrying your message of surrender as you go and warning the Yaloh who remain in their land to be ready to give it up.’

She leant over the table, so close Tayan could taste her breath. ‘Make sure you stay alive, little Tayan. You’re pretty enough to have tempted me, despite those ugly scars on your leg, and clever enough that I would relish having you in my house again.’

Tayan jerked back as if she’d spat in his face. ‘And what would be my status in this house?’ he asked, folding his arms across his chest to prevent his hand dropping to his scarred left leg.

The Great Octave’s laughter pealed, bouncing from the walls and the elaborately painted stucco, but again it was a little too false to be convincing. ‘Let’s not get ahead of ourselves, pretty Toko, eh? Everyone starts somewhere, for their own good and the stability of the Empire,’ and she made a collar of her fingers and thumbs and slotted it around her own throat. She laughed again at whatever expression was on his face. ‘But you are a special case, Tayan, because I can see that the song already breathes inside you. You would not be a long time branded, I think.’

She stood and crossed to a second low table, this one scattered with bark paper, ink, and brushes, her energy matching the urgency and brutality of the song. As did Tayan’s, for he had a sudden image of her face purpling as he put his hands around her neck and squeezed.

‘Under the song,’ she added without turning her head and snapped her fingers at her kneeling estate slave.

The man rose from the mats and handed her a report as if Tayan wasn’t still sitting there, numb. ‘The latest numbers from the songstone mines, high one.’

Enet grunted, and two of her slave guards approached Tayan and gestured him out of the room. He looked back as he went, but the Great Octave of the Empire of Songs was deep in discussion with her slave. The man was pointing to a column of figures and speaking with the confidence of a free.

And then he was in the garden, waiting in the early morning rain until four slave warriors hurried out carrying weapons and packs of supplies, including his own. The quartet surrounded him and marched down the path.