Back The Stone Knife
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

‘I never realised the thrill of opulence would fade,’ he said, as if to himself. ‘I never realised how the power and the divinity are so inextricably bound up with the responsibility and the sacrifice.’ He swept an arm out to encompass the room. ‘Sculpted gardens, a tamed stream and offering pool, wide verandas with views over the city, and the platform at the summit beneath the songstone: the heart of my power. All colourful and pristine, populated with only the most beautiful slaves, courtesans and sculpture. The finest musicians and actors, jewellers and dressers. The most talented potters and artists to paint their wares. Everything so … Fucking. Perfect. It makes me sick.’

Enet flinched. The song tore at her with teeth and claws, made nausea surge at the base of her throat and heat build between her legs. Beneath the anger sat Xac’s lust – for life and death and cock and cunt and everything in between – desires impossible for any in his presence to ignore.

It was the official reason, the most obvious reason, why Singer Het had failed so soon – she’d been a child at the mercy of feelings she had neither name for nor familiarity with. They’d frightened her and then they’d consumed her. Children should not be Singers; they had not the experience to control the changes. Even Xac had struggled to contain his impulses in the first years of his divinity.

The Singer rubbed a hand across his face, weariness souring his lovely, song-brightened features. His lips peeled back from his teeth and Enet squirmed where she sat, wanting him and him knowing it. His denial of her desire bringing him more pleasure than acceptance would. A dark pleasure, a spiteful pleasure, and that too entered the song. All through the source, harsh words would be spoken, parents might pinch their children just to make them cry, secrets would be spilt and arguments started. Chorus warriors practising their weapons might spill blood in earnest.

‘These rooms and gardens, maybe the slave quarters if I wander down there: they’re all I will ever know,’ Xac continued, surprising her again. She’d expected angry sex or dismissal, not confession. ‘All the years I had before my selection and what did I do with them? Nothing. Barely travelled, never visited the untamed jungle or saw the dead plains. Never fought a battle. Never took a life except when making an offering. And I don’t take them even then.

‘This is it. This is the rest of my life within these walls and gardens. This sacred prison. The Tokob murder my divine kin and I sit here unable to help them.’