Chapters (66)
- Cover
- THE STONE KNIFE
- Dedication
- Map
- THE SINGER
- XESSA
- LILLA
- TAYAN
- ENET
- THE SINGER
- XESSA
- TAYAN
- PILOS
- LILLA
- TAYAN
- ENET
- THE SINGER
- TAYAN
- XESSA
- PILOS
- TAYAN
- PILOS
- LILLA
- XESSA
- ILANDEH
- ENET
- THE SINGER
- TAYAN
- XESSA
- LILLA
- XESSA
- ILANDEH
- PILOS
- TAYAN
- ENET
- THE SINGER
- LILLA
- PILOS
- TAYAN
- LILLA
- ENET
- THE SINGER
- ILANDEH
- PILOS
- XESSA
- ENET
- THE SINGER
- PILOS
- LILLA
- XESSA
- ILANDEH
- TAYAN
- ENET
- THE SINGER
- XESSA
- PILOS
- XESSA
- PILOS
- ILANDEH
- PILOS
- TAYAN
- XESSA
- EPILOGUE
- ACKNOWLEDGMENTS
- By Anna Stephens
- About the Publisher
Lilla let out a noisy, resigned sigh and kissed Tayan’s knuckles in silent apology. ‘The womb?’ he asked.
‘The womb,’ Tayan confirmed.
They’d stopped back at home to collect Tayan’s ritual tools before making the long climb uphill out of the city to the womb. Unlike the two large healing caves dug into the bones of the city, this system was different: tunnels of dark rock leading to a small cavern made from a paler stone and flecked with tiny crystals. Malel’s womb. The birthplace of the world and all the creatures within it, and the place from where the Tokob first children had sprung.
The birthplace of the shamanic magic, the shamanic ritual.
Tayan knelt on a square blue mat facing the rows of spirit carvings, representations of ancestors and the gods in their many guises. Carefully, he mixed the dried herbs and fungus into the small clay vessel containing the drops of diluted frog-venom, adding a little water before grinding them into a thick paste. He breathed deeply and set out the drum, the idols of his spirit guides and ancestors, and his paints. In the wavering candlelight, Lilla used a thin feather to draw vision symbols on Tayan’s brow, black against the blue.
‘Ready?’ he asked.
Tayan nodded and licked his lips, then began the drumbeat that would bind heart and mind and spirit to the realm of the ancestors. Lilla nodded in his turn, made sure the gourd of water was at hand, and then rose to stand behind him, a familiar, beloved pillar of strength and protection who would guard his flesh. The warding of his spirit, Tayan would have to see to himself.
The drum was the rhythm of life itself, of Malel the mother, who was at once the world, its goddess, and the hill inside which he knelt. She was home and judge and the route to rebirth. She was ancient and new, mother of gods and all the creatures that lived upon her skin. She was life and death, the bringer of disease and its cure. She was all things, and Tayan strove to connect the tiny wisp of his being, brought to life through Malel’s magic, to her immensity.
His spirit vibrated to the drum’s rhythm and the walls of the womb seemed to take the sound and double it and feed it back to him, as if the stone itself breathed. When his spirit was prepared, he swallowed the paste that would spark the journey-magic. It was bitter, sucking the moisture from his mouth and clinging to the insides of his throat, but he fought it down, fingers never faltering as they tapped the beat.