Back The Stone Knife Save as PDF
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

It wasn’t unanimous, but as the Wet strengthened, even Lilla couldn’t help but see that they needed to do something. The enemy were building another line of pyramids, this time in Yalotlan hill country far too close to Tokoban’s border to go unanswered, and there had been another desperate influx of Yaloh refugees to strain Tokob villages and cities. Yet they were not going to war, despite some of the more strident voices on the councils and among the Paws.

Instead, they would destroy the stockpiles of wood and stone and paint that would become pyramids. They would not take life unless they had no choice; they would not hunt down the builders and kill them, for they were likely to be slaves. They would simply … halt construction. Resistance without violence, as far as possible, to prevent the magic within the pyramids being brought to life and thus all the land through which it rang belonging to the Empire.

But before Malel would grant her blessing, she had a demand. And her first children had listened.

Tokob wore their finest tunics and salt-cotton, their best jewellery and paint. There were so many drums that the plaza shook with sound and Lilla could feel it through his chest. The ejab had space at the front of the crowd so that those whose hearing was stopped by the spirit-magic could still take part.

Two thousand warriors of the Yaloh and Tokob were grouped behind the ejab, and as many others as could fit into the biggest festival plaza crowded its edges, its streets, the roofs of the buildings lining it.

The bone flutes joined in, a jarring, skirling, skating sound as though the spirits themselves were flooding into the flesh world with bloody intent. And then the rattles, a low sliding counterpoint slithering between the drumbeats like the Snake-goddess who helped bring the world into being. Malel’s second creation, the wise and patient predator who gave strength and kinship to the ejab.

The heartbeat of Malel. The wails of the spirits. The hiss of the Snake. Lilla’s heart waited, sweat beginning to break out on his skin. And then it came, rushing out of the dawn from a hundred shamanic throats. The coughing roar of the Jaguar, brother to the Snake. The warriors’ god.

Lilla’s heart gave a great liquid thud and began pounding faster than the drums. Malel was listening and so were her daughter and son. Listening to the first children and their allies. They crouched close, their presence felt in wind and cool and pressure. The Jaguar called again; the Snake hissed; Malel’s heart beat. The people crammed into the plaza moved in time, swaying and stamping their feet as the music and the gods swept them up into one creature, a single form with thousands of eyes and mouths and hearts and hands.