Back The Stone Knife Save as PDF
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

High Elder Vaqix knelt on a woven mat before a beaten copper bowl from which incense rose and curled and twisted and was pulled away through fissures in the ceiling. He prayed in an ancient language that Ilandeh understood only imperfectly – a word here or there that was almost known to her, a phrase that hinted at meaning but then concealed it, taunting her with almost-understanding where she stood in the mouth to the cave the Tokob called the womb.

The rhythms and cadences of his prayer were familiar, tantalising, tickling at her memory. But most importantly, the chant echoed and built and reverberated, introducing harmonics that hadn’t been in his voice, as if the cave itself sang the other half of the prayer back at him.

The womb, sacred to the Tokob, was alive with magic. The torchlight glittered from a multitude of tiny crystals embedded in the rock walls, and from the hundreds of jade and obsidian and wood and bone ornaments placed on shelves carved into the rock. Lumps of gold, polished stones, and gleaming wood decorated every surface, reflecting the light even further. Bunches of feathers hung twisting on thin cords from the roof, stirred by tiny zephyrs too faint for Ilandeh to feel. Malel’s breath. Beyond the kneeling high elder, at the opposite end of the small cave, the floor dropped away, and there glittered the still surface of the pool the ejab had made. This was where they’d bring it, if they caught it.

‘High Elder?’

Vaqix’s chant ended in a yelp of surprise and the old man spun on his knees to the entrance where Ilandeh stood. He gaped. ‘What are you doing here?’ he demanded after an incredulous pause. ‘The womb is not for foreigners, unbelievers. This place is forbidden to you! None but Tokob may set foot in here.’ His outrage made the words and his thin cheeks alike quiver, though his eyes were black as jet above the wicked hook of his nose. ‘Get. Out. Now.’

‘It is made of songstone, isn’t it?’ Ilandeh asked, stepping up into the cave and staring around. Small deposits of it were everywhere, but she pointed to a particularly thick seam in the far wall, as wide as the span of both her arms outstretched. ‘There. Songstone. Do you know how valuable it is?’

‘Songstone?’ he repeated dumbly, scrambling to his feet so quickly the incense plume sputtered and billowed with his movement. ‘This is our holiest place. It is Malel who gives strength to our prayers, the ancestors who—’

Ilandeh bit her lip. ‘Oh, High Elder, you are so wrong. Songstone is holy, yes, but it does not speak in the tongue of your goddess or ancestors. It is its own thing, carrying its own sanctity and that of the world spirit. I fear you have been misled. I fear your whole society is built on a lie.’