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The Stone Knife

Anna Stephens
Chapters (66)
  1. Cover
  2. THE STONE KNIFE
  3. Dedication
  4. Map
  5. THE SINGER
  6. XESSA
  7. LILLA
  8. TAYAN
  9. ENET
  10. THE SINGER
  11. XESSA
  12. TAYAN
  13. PILOS
  14. LILLA
  15. TAYAN
  16. ENET
  17. THE SINGER
  18. TAYAN
  19. XESSA
  20. PILOS
  21. TAYAN
  22. PILOS
  23. LILLA
  24. XESSA
  25. ILANDEH
  26. ENET
  27. THE SINGER
  28. TAYAN
  29. XESSA
  30. LILLA
  31. XESSA
  32. ILANDEH
  33. PILOS
  34. TAYAN
  35. ENET
  36. THE SINGER
  37. LILLA
  38. PILOS
  39. TAYAN
  40. LILLA
  41. ENET
  42. THE SINGER
  43. ILANDEH
  44. PILOS
  45. XESSA
  46. ENET
  47. THE SINGER
  48. PILOS
  49. LILLA
  50. XESSA
  51. ILANDEH
  52. TAYAN
  53. ENET
  54. THE SINGER
  55. XESSA
  56. PILOS
  57. XESSA
  58. PILOS
  59. ILANDEH
  60. PILOS
  61. TAYAN
  62. XESSA
  63. EPILOGUE
  64. ACKNOWLEDGMENTS
  65. By Anna Stephens
  66. About the Publisher

Cover

Cover image: The Stone Knife by Anna Stephens

THE STONE KNIFE

Anna Stephens

HarperVoyager Logo

Dedication

For Lisa,

who asked the question when we were fourteen

– and who always believed the answer

Map

A map of Ixachipan

THE SINGER

The source, Singing City, Pechacan, Empire of Songs

The song is life and wealth and bounty from the earth. The song is courage in childbirth, strength in war, cleverness in creation.

The song lifts us and binds us, as beautiful and inevitable as my brother, the Great Star, in his endless cycle of appearances at dawn and dusk, and his regular absences to do battle with the lords of the Underworld.

As the Great Star always returns on the appointed place in the calendar, victorious as he rises from the depths to watch over us once more, so the song cannot, does not, falter. For the song is mine and I am its Singer. I take strength from my brother, and I give strength to him. Between us, we bring the earth into harmony.

And today, on the Great Star’s 118th appearance at dawn, I enter the eleventh year of my reign. All you Singers who have gone before, you holy Setatmeh who send the rains that bring the crops to fruition, see me wax into my power and know that you are honoured. My song is but an extension of yours, my glory but a shadow of the glories you achieved.

Soon, all Ixachipan will be ours.

Soon, it will be time to awaken the world spirit.

For I am the Singer, and this is my will.

XESSA

The Swift Water, below Sky City, Malel, Tokoban

118th day of the Great Star at morning

They said that the Drowned were the souls of the dead, angry that the living still walked beneath the sun, still breathed the air and ate the good food of the land. They said that this anger made them vicious and desperate, and that they sang to lure the living into death with them.

They said the Drowned were the ancient spirits of the land displaced by the Tokob people, who were the first children brought into being by Malel, and that the Drowned were slowly reclaiming the world for themselves, one life at a time.

They said the Drowned were those who had died of grief or betrayal, that their hurt was so great they clung to life in another form, their bodies as twisted and ruined as their hearts had been. That they would stop taking people if only they were loved. That their songs were laments.

And they said the Drowned were another branch of life, like the great jaguar and the tiny chulul – the same but different. That they were trying to communicate, and meant no harm, but their songs were irresistible. That they ate what they caught because it was in their nature to do so.