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Chapters (53)
  1. The Source
  2. Dedication
  3. Contents
  4. Marie ~ London ~ 2006
  5. Carly ~ Warchester ~ 1996
  6. Marie ~ London ~ 2006
  7. Carly ~ Warchester ~ 1996
  8. Marie ~ London ~ 2006
  9. Carly ~ Warchester ~ 1996
  10. Marie ~ London ~ 2006
  11. Carly ~ Warchester ~ 1996
  12. Marie ~ London ~ 2006
  13. Carly ~ Warchester ~ 1996
  14. Marie ~ London ~ 2006
  15. Carly ~ Warchester ~ 1996
  16. Marie ~ London ~ 2006
  17. Carly ~ Warchester ~ 1996
  18. Marie ~ London ~ 2006
  19. Carly ~ Warchester ~ 1997
  20. Marie ~ London ~ 2006
  21. Carly ~ Warchester ~ 1997
  22. Marie ~ London ~ 2006
  23. Carly ~ Warchester ~ 1997
  24. Marie ~ London ~ 2006
  25. Carly ~ Warchester ~ 1997
  26. Marie ~ London ~ 2006
  27. Carly ~ Warchester ~ 1997
  28. Marie ~ London ~ 2006
  29. Carly ~ Warchester ~ 1997
  30. Marie ~ London ~ 2006
  31. Carly ~ Warchester ~ 1997
  32. Marie ~ London ~ 2006
  33. Carly ~ Warchester ~ 1997
  34. Carly ~ Warchester ~ 1998
  35. Marie ~ London ~ 2006
  36. Carly ~ London ~ 2001
  37. Marie ~ London ~ 2006
  38. Carly ~ London ~ 2001
  39. Marie ~ London ~ 2006
  40. Carly ~ London ~ 2001
  41. Marie ~ Just outside Warchester ~ 2006
  42. Carly ~ London ~ 2001
  43. Marie ~ London ~ 2006
  44. Carly ~ Deptford ~ 2002
  45. Marie ~ London ~ 2006
  46. Marie ~ Deptford ~ 2004
  47. Marie ~ London ~ 2006
  48. Marie ~ London ~ 2005
  49. Marie ~ London ~ 2006
  50. Marie ~ London ~ Six months later
  51. Acknowledgements
  52. ABOUT THE AUTHOR
  53. Copyright

There’s a crash and lots of swearing as a microphone stand falls off the podium, but I only have eyes for Jemima.

‘But I thought—’99

‘His mum is in the police,’ she says, cutting me off. ‘Was in the police, I mean. She died in the line when he was twelve. He thinks they didn’t do enough to protect her. It was a botched operation, from the little he’s ever said about it. He’d never admit it colours his judgement – but it wouldn’t take much for him to slip up when he’s this upset. Especially when a git like Thomas is the one who might be ahead of him. Make a scene, cover himself in indignity, turn the story for all the wrong reasons…’

She trails off as my eyes wander to the cables snaked all over the stage, knotting and blurring into one big, black, smudgy mass. This new little nugget of information sits in my mind like a meteor just crashed in from outer space, blowing up everything I’ve ever assumed about Dominic. But before I can ask any more questions, hush descends as uniformed officers parade into the room.

I peer at them, lined up penguin-perfect with their chests puffed out in black and white. If I wasn’t suddenly so confused I could pretend we were all in a cartoon.

‘Here we go,’ Jemima mutters as one officer leans forward to tap a microphone.

‘Thanks for your patience,’ he booms. ‘The commissioner will be with you shortly.’

The commissioner? The entire crowd squawks with surprise, heads swivelling on every neck up ahead. And on cue, in she comes, pausing for the flashbulbs up front before walking herself to the single chair hidden behind the bundle of microphones.

Jemima curses, a low hiss into her collar. Unease prickles up my back as the room stills, like we’re all birds on a branch, waiting out an incoming gale. If only I could actually fly away.

‘Good afternoon,’ the commissioner says, the piece of paper in her hand just visible above all the bobbles on the desk. ‘Thank you all for being here on such an important day for the Metropolitan Police.’

I squint as she unfolds a pair of glasses on to her nose, everything about her so neat and precise that she could be a pencil 100drawing, a sketch I’m almost sure I’ve seen before; a page of a book I know I’ve read but can’t quite remember, fluttering away almost as soon as I register it – peripheral but still unmistakable.

She pauses, pushing at her glasses with a fingertip. I hold my breath as the lip of the paper starts to tremble.