Back The Source Save as PDF
Chapters (53)
  1. The Source
  2. Dedication
  3. Contents
  4. Marie ~ London ~ 2006
  5. Carly ~ Warchester ~ 1996
  6. Marie ~ London ~ 2006
  7. Carly ~ Warchester ~ 1996
  8. Marie ~ London ~ 2006
  9. Carly ~ Warchester ~ 1996
  10. Marie ~ London ~ 2006
  11. Carly ~ Warchester ~ 1996
  12. Marie ~ London ~ 2006
  13. Carly ~ Warchester ~ 1996
  14. Marie ~ London ~ 2006
  15. Carly ~ Warchester ~ 1996
  16. Marie ~ London ~ 2006
  17. Carly ~ Warchester ~ 1996
  18. Marie ~ London ~ 2006
  19. Carly ~ Warchester ~ 1997
  20. Marie ~ London ~ 2006
  21. Carly ~ Warchester ~ 1997
  22. Marie ~ London ~ 2006
  23. Carly ~ Warchester ~ 1997
  24. Marie ~ London ~ 2006
  25. Carly ~ Warchester ~ 1997
  26. Marie ~ London ~ 2006
  27. Carly ~ Warchester ~ 1997
  28. Marie ~ London ~ 2006
  29. Carly ~ Warchester ~ 1997
  30. Marie ~ London ~ 2006
  31. Carly ~ Warchester ~ 1997
  32. Marie ~ London ~ 2006
  33. Carly ~ Warchester ~ 1997
  34. Carly ~ Warchester ~ 1998
  35. Marie ~ London ~ 2006
  36. Carly ~ London ~ 2001
  37. Marie ~ London ~ 2006
  38. Carly ~ London ~ 2001
  39. Marie ~ London ~ 2006
  40. Carly ~ London ~ 2001
  41. Marie ~ Just outside Warchester ~ 2006
  42. Carly ~ London ~ 2001
  43. Marie ~ London ~ 2006
  44. Carly ~ Deptford ~ 2002
  45. Marie ~ London ~ 2006
  46. Marie ~ Deptford ~ 2004
  47. Marie ~ London ~ 2006
  48. Marie ~ London ~ 2005
  49. Marie ~ London ~ 2006
  50. Marie ~ London ~ Six months later
  51. Acknowledgements
  52. ABOUT THE AUTHOR
  53. Copyright

‘She’s wearing a wig. Can’t you tell?’ I crunch my empty plastic cup into my fist as Jemima squints at the monitor. ‘She’s not afraid. And those are her words, not mine…’

Jemima ignores me, muttering to herself as she reads through the script in front of her.

‘The government estimates there are some four thousand victims of human trafficking here in the UK … Four thousand, is it?’

I nod, standing and stretching. These edit suites may as well be prison cells.

‘But officials at the Natural Crime Agency told us that figure could be far higher…’

‘National,’ I interrupt. ‘You mean the National Crime Agency.’

Jemima curses, stabbing her pencil at the papers on the desk.

‘I’ll get the coffees, shall I?’ I say, slipping out into the newsroom before I hear any more, scurrying past the gaggle vamping around the water machine on my way to the kitchen. You have to be a regular on the pub circuit to join in with that lot. I keep my head down, speeding up as I round the corner. Finally this story 66is coming together, and it’s going to land with more than just a splash.

‘Aha, you’re back!’ I skid to a stop as Olivia’s voice clangs off the tiles.

Of all the people to find in the kitchen. I look up to find her taking her phone out of the fridge like she’s doing exactly what anyone would expect her to be doing. ‘How is it all looking?’

‘Pretty good, actually,’ I say, steadying myself by putting a hand against the coffee machine as I try not to gawp at her. ‘I think it’s all the detail you wanted. Her name is Beata, she didn’t even want us to blur her face. She came here on a promise when she was fifteen, and ended up as essentially a housemaid with benefits. She has definitely had a rough time, the whole nine yards…’

‘Of that I have no doubt,’ she says, frowning at the phone in her hand. ‘These bloody things overheat so quickly…’ The fridge hums to her as she puts it back in. ‘I look forward to seeing the edit. It’s her story we need to thread the whole piece together. That’s how we make the viewer sit up and pay attention. That is how we make it as impactful as it deserves to be. It is really that simple, when you think about it. Take the viewer right to the heart of it.’

I nod vigorously as she stares at me. No one wants this more than me, not even Dominic. A frown crosses her forehead as she looks past me into the doorway.

‘Sorry to interrupt,’ Thomas says, brushing past me as he walks in. ‘Do you have a quick second for me? I’ve been calling…’