Back The Source Save as PDF
Chapters (53)
  1. The Source
  2. Dedication
  3. Contents
  4. Marie ~ London ~ 2006
  5. Carly ~ Warchester ~ 1996
  6. Marie ~ London ~ 2006
  7. Carly ~ Warchester ~ 1996
  8. Marie ~ London ~ 2006
  9. Carly ~ Warchester ~ 1996
  10. Marie ~ London ~ 2006
  11. Carly ~ Warchester ~ 1996
  12. Marie ~ London ~ 2006
  13. Carly ~ Warchester ~ 1996
  14. Marie ~ London ~ 2006
  15. Carly ~ Warchester ~ 1996
  16. Marie ~ London ~ 2006
  17. Carly ~ Warchester ~ 1996
  18. Marie ~ London ~ 2006
  19. Carly ~ Warchester ~ 1997
  20. Marie ~ London ~ 2006
  21. Carly ~ Warchester ~ 1997
  22. Marie ~ London ~ 2006
  23. Carly ~ Warchester ~ 1997
  24. Marie ~ London ~ 2006
  25. Carly ~ Warchester ~ 1997
  26. Marie ~ London ~ 2006
  27. Carly ~ Warchester ~ 1997
  28. Marie ~ London ~ 2006
  29. Carly ~ Warchester ~ 1997
  30. Marie ~ London ~ 2006
  31. Carly ~ Warchester ~ 1997
  32. Marie ~ London ~ 2006
  33. Carly ~ Warchester ~ 1997
  34. Carly ~ Warchester ~ 1998
  35. Marie ~ London ~ 2006
  36. Carly ~ London ~ 2001
  37. Marie ~ London ~ 2006
  38. Carly ~ London ~ 2001
  39. Marie ~ London ~ 2006
  40. Carly ~ London ~ 2001
  41. Marie ~ Just outside Warchester ~ 2006
  42. Carly ~ London ~ 2001
  43. Marie ~ London ~ 2006
  44. Carly ~ Deptford ~ 2002
  45. Marie ~ London ~ 2006
  46. Marie ~ Deptford ~ 2004
  47. Marie ~ London ~ 2006
  48. Marie ~ London ~ 2005
  49. Marie ~ London ~ 2006
  50. Marie ~ London ~ Six months later
  51. Acknowledgements
  52. ABOUT THE AUTHOR
  53. Copyright

The light refracts off the floor-length windows that form two of the four walls of Olivia’s office, so bright that if I could just angle one of the panes a fraction, I could burn the point of a dart into the leather of her chair. Beyond the glass, the City of London shimmers in the late-afternoon sun, its hundreds of tall, glass-fronted buildings trembling with their multiple reflections of each other, shifting and changing with every frond of cloud that drifts across the sky, no thought to what its shadow does to the shapes below. There’s so much glass in this part of London that every window’s a mirror, except it’s almost impossible to ever see clearly. Olivia’s rasp brings me back into the room, a crucible of light between all these versions of truth reflected back at me.

‘I don’t understand,’ she says, all bouncy hair as she shakes her head. ‘She’s an intern, Dominic, isn’t she?’

‘I’m an assistant producer,’ I say, as much to myself as anyone else. This is where it ends, I think, shading my eyes. If my screams are keen enough, sharp enough, I can shatter the whole lot, all the glass, all the buildings, all the towers of lies built up around me, around all of us. And it will be Marie, not Carly, who emerges from the rubble.

‘You just need to listen to the tape, Liv,’ Dominic says, placing my phone reverently on the desk in front of her. ‘It’s the last piece of the puzzle. It’s all we need.’

‘Oh, for goodness sake settle down, Dom,’ she barks, a billow of fabric and perfume. ‘I know you’re desperate for a breakthrough on Andromeda but this is the stuff of fantasy—’

She jumps as Dominic bangs his hands on the desk.260

‘She’s in danger, Liv. Genuine danger. And we’re sitting on an atom bomb of a story, which, by rights, should never have been out of the public domain. All this time we’ve been equating national interest with the public interest when in fact, it’s anything but. She never even knew that captain was her dad. It’s only because of our leak that she’s put the pieces together.’

Memories scud through my mind like a kaleidoscope, whirling into a mosaic of broken pieces, beautiful from one direction, horrifying from the other. It was all a setup, Rach groans into my ear. He tapped Jase for you just to get to her… I shake the kaleidoscope again, shards of reasoning and explanation flying into the air.

‘You do that again and I’ll call security. I mean it, Dominic.’ Olivia’s voice cuts through the air alongside another shaft of setting sun. ‘Just sit down and start from the beginning. I want every source, every single source, every development. Marie, you too. Marie?’