Contents ( 49)
- Contents
- Editor’s Note
- I
- Ned: The Early Years
- 1927–37: Stump Creek, West Virginia
- Hallelujah on the Bum
- How It Was
- Drunk in the Afternoon
- Journal IV
- II
- Ed: The Early Years
- From The Fool’s Progress
- From The Brave Cowboy
- Manhattan Twilight, Hoboken Night
- Author’s Introduction to Desert Solitaire
- The First Morning
- The Serpents of Paradise
- Polemic: Industrial Tourism and the National Parks
- Tukuhnikivats, the Island in the Desert
- Appalachian Pictures
- Appalachia, Good-bye
- My Life as a P.I.G., or The True Adventures of Smokey the Cop
- III
- Ed Moves On
- From Black Sun
- 1971–77: Henry in Love—An Interlude
- The Wooden Shoe Conspiracy
- The Raid at Comb Wash
- Death Valley Junk
- Meeting the Bear
- Aravaipa Canyon
- IV
- Postlude
- A Colorado River Journal
- From Good News
- Desert Images
- The Damnation of a Canyon
- Gather at the River
- River Solitaire
- Free Speech
- Theory of Anarchy
- Eco-Defense
- A Writer’s Credo
- Immigration and Liberal Taboos
- Abbey The Fool’s Progress
- Postlude
- A Few Words in Memory of Edward Abbey
- A Selected Bibliography of Works by Edward Abbey
- Acknowledgments
It was said, on good authority, that Hoboken had more taverns per square block than any other city in the world except Anchorage, Alaska. I believe it. I never did get into all of them, though for two years I tried. Some I remember: the Old Empire, the Seven Seas, Allie and Jopie’s, Anna Lee’s, Portview, El Jim’s, the Dutch Mill, the Elysian Fields Bar and Grill, the River Street, the Cherokee, the Old Holland House, McSharry’s Irish House, the Continental, the Little Dipsy Doodle, the Grand, the Inn, the Idle Hours (how true), Pat’s, Pete’s, Lou’s, Joe’s and Mom’s. And the Silver Trail, Hoboken’s only genuine western bar, with live western music and authentic cowboy stomp dancing every Saturday night; and Nelson’s Marine Bar and Grill, my favorite, where the bartender, Herman Nelson, sole owner and proprietor, is or was the man who almost became world welterweight champ in 1931; and the stand-up bar of the Clam Broth House, men only (then), free clam broth, Löwenbrau on tap, the crackle of clamshells underfoot.
Anyway, if you made it past all the bars and the three Chinese laundries—Sam Toy’s, Harry Lew’s, Gong Lee’s—and past the hash peddlers, cops, hippies, Christian seamen, bohemes, bums, panhandlers, whores, winos, shoeshine boys, muggers, rapists and shiv artists, you arrived at the Erie-Lackawanna building. End of the line. Mouth of the tubes. Home of the ferryboats. The E-L building (is it still there?) looked like a square fruitcake coated with green mold. It was enormous, its cavernous interior capacious enough for a dozen trains plus shops and offices and waiting rooms. Paying our fare at the turnstiles, we stormed up the ramp onto the “Next Boat.”
All on board, gangplanks winched up with a rattle of chains, the ferry surged out of the slip and bore east-southeast across the Hudson toward the Barclay Street docks on the far side. Moving partly with the current and partly across it, the ferry left a curving wake as it churned from shore to shore. In winter we glided among drifting ice floes the color of urine; in summer through trails of garbage bobbing in the wake of ships, seagulls screaming as they wheeled and dove for supper. I liked to stand on the open forward deck facing the wind and the solemn monuments of lower Manhattan. For a few minutes at least we were all free, commuters, drifters and students alike, liberated from the confines of lubberly life and at home—so we thought—with sailors and seabirds, the allure of the open sea. It seemed to me I could read on the faces of even the most resigned commuters an emotion the same as mine: exultance.
It was strange, that approach to Manhattan over the open water. No sound but the slap of waves, the wind, the gulls, the distant signals of other boats. The city itself swung slowly toward us silent as a dream. No sign of life but puffs of steam from skyscraper chimneys, the motion of the traffic. The mighty towers stood like tombstones in a graveyard, leaning against the sky and waiting for—for what? Someday we’ll know.