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Contents ( 49)
  1. Contents
  2. Editor’s Note
  3. I
  4. Ned: The Early Years
  5. 1927–37: Stump Creek, West Virginia
  6. Hallelujah on the Bum
  7. How It Was
  8. Drunk in the Afternoon
  9. Journal IV
  10. II
  11. Ed: The Early Years
  12. From The Fool’s Progress
  13. From The Brave Cowboy
  14. Manhattan Twilight, Hoboken Night
  15. Author’s Introduction to Desert Solitaire
  16. The First Morning
  17. The Serpents of Paradise
  18. Polemic: Industrial Tourism and the National Parks
  19. Tukuhnikivats, the Island in the Desert
  20. Appalachian Pictures
  21. Appalachia, Good-bye
  22. My Life as a P.I.G., or The True Adventures of Smokey the Cop
  23. III
  24. Ed Moves On
  25. From Black Sun
  26. 1971–77: Henry in Love—An Interlude
  27. The Wooden Shoe Conspiracy
  28. The Raid at Comb Wash
  29. Death Valley Junk
  30. Meeting the Bear
  31. Aravaipa Canyon
  32. IV
  33. Postlude
  34. A Colorado River Journal
  35. From Good News
  36. Desert Images
  37. The Damnation of a Canyon
  38. Gather at the River
  39. River Solitaire
  40. Free Speech
  41. Theory of Anarchy
  42. Eco-Defense
  43. A Writer’s Credo
  44. Immigration and Liberal Taboos
  45. Abbey The Fool’s Progress
  46. Postlude
  47. A Few Words in Memory of Edward Abbey
  48. A Selected Bibliography of Works by Edward Abbey
  49. Acknowledgments

Perhaps I liked best the sunflowers along the railroad tracks, and the little purple asters that rose between the ties, out of the cinders. Or the cattails in the ditches and the rank nameless weeds that flourished by the iron wheels of rotting boxcars—Erie-Lackawanna—The Great White Way—Route of Phoebe Snow—forgotten on sidings. Or the feral hollyhocks tall as corn along the walls of the gate tender’s shack at the railway crossing, transpiring through July. There was a bitter, forlorn yet stubborn beauty everywhere you looked in Hoboken. Even the smog of heavy summer evenings played a helpful part, enhancing the quality of light and shadow on old brick walls, lending to things only a block away the semblance of magic and mystery.

When I was there I thought New York was dying. Maybe it really is. I know I was dying to get out. But if it’s dying then it’s going to be a prolonged, strange, infinitely complex process, a death of terror and grandeur. Imagine a carcinoma three hundred miles long, a mile thick, embracing 50 million souls. Whatever else (I tell myself) you may think about New York now, looking back at it from this desert perspective, you’ve got to admit that Wolf Hole, Arizona, can never have so rich a death.

There are three ways to get from Hoboken to Manhattan. There were four. You can take the Number 6 bus, dive into the Lincoln Tunnel (holding your breath), roar through that tube of tile and light, where the tunnel cops pace forever up and down their cement walkways or stand in glass boxes built into the walls (we used to discuss the question, which is the world’s worst job: subway motorman? city bus driver? slaughterhouse worker? switchboard operator? or tunnel cop?), to emerge suddenly into the blue air of the Port Authority Bus Terminal. Or you can take the Hudson Tubes under the river, ride the trains through the sweating tunnels, where little green lights blink dimly beside the rails, and come out in the Village or stay on the train and ride it uptown as far as Macy’s, Gimbel’s, Herald Square. The third way, if you have a car, is to drive it yourself through either the Lincoln Tunnel or the Holland Tunnel and drive it back through the other way when you realize finally that there is almost no place on all of God’s Manhattan where you can park your machine.

The fourth way was to take the Lackawanna Ferry and although the slowest this was by far the best. (A fifth way will be to walk on the water when the Hudson finally coagulates.) Getting to the ferry slips at the railway terminal was part of the pleasure: For whether you went by Washington Street, Hudson Street or River Street, you passed not only such places as the hippie communes and the Christian Seamen’s Home but also the most shabby dingy rundown smelly half-lighted dangerous and downright picturesque little Mom-and-Pop bars in North America.