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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Experimentation is a sacrifice in which guilt has been expunged. The sacrificial pyramid, where blood has drenched the warm stones of the altar, becomes a vast slaughterhouse that extends horizontally in some nondescript corner of the city.

The slaughterhouses of Chicago, university laboratories, their corridors reeking of dismembered frogs, power plants camouflaged in the desert, are centers for one and the same cult. They distribute power thanks to a violent operation, a decision, where everything is focused on procedures, so that their control capability becomes ever more perfect. Hadn’t the Vedic seers already said that “exactness, reality is the sacrifice”?260 The more perfect the control, the richer the material that can be developed, the greater the power unleashed, the more uncontrollable its outcome.

In technology, the accursed share, the part of the fire, has become the immense experimental waste, dedicated to the unknown god, who is god of the unknown. And, just as in the sacrifice, it is precisely the part that is irredeemably destroyed that guarantees future life. Only research that goes on in the dark can give adequate nourishment to the process. Nothing is more laughable than disputes over the limits of experimental research. As if that which is based on breaking down the limit could map out an enclosure less vast than Everything without thereby negating itself. These are disputes stirred up by foolish and incredulous priests against the stern masters of the cult: as if a Brahmin had dared to question whether the gods demand sacrifice.

A sacrificial act is any act where the person acting contemplates himself as he acts. The victim, the offering, is the one who acts. The sacrificer is the eye that contemplates him. For this reason, any act can be a sacrifice. For this reason, ancient society can be regarded, in the way it operates, as a “perpetual sacrifice,” according to the definition of René Guénon, who suggests it as something patently obvious: “Since sacrifice is ritual action par excellence, everything else shares in its nature and is to some extent an integral part of it, so that it necessarily determines the whole overall structure of a traditional society, where everything for that same reason can be regarded as being an actual perpetual sacrifice.”261