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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

“If one night we see nothing, we have to offer a sacrifice,” say the priests of Naphta. The priests look at the sky in order to read in it the sign of the sacrifice. And they perform a sacrifice when they cannot read the sky. Sacrifice is the end, sacrifice is the means. Sacrifice is what is read and what makes it possible to read. This is the vibrant circle of the old order.

The subject that escapes death in the sacrifice is a dual subject, just as the subject that had constituted the sacrifice was dual. Akaf is saved only through Far-li-mas, his “companion in death,” the Upaniṣadic bird that contemplates, and here tells stories. And Far-li-mas is saved only through Sali, who finds the “way.” Hierogamy is the seal of the dual subject.

The state of the world cannot be seen during the day, but at night, observing the positions of the stars. And at night Far-li-mas tells his stories: the priests—whose task it is to keep awake and dedicate their vigil to the contemplation of the sky—fall asleep, overwhelmed by the words spoken by Far-li-mas, while his gaze joins that of Sali in perfect wakefulness. The breath of history can be felt in this double course, from sleep to wakefulness and wakefulness to sleep.

The end of the priests killed in the ordeal is just as impressive as the crudeness and swiftness of the ruin of Naphta after Far-li-mas. Envious neighbors overpower and destroy Naphta, which has meanwhile become a prosperous trading center. There is nothing more to say. The old order had ended instead among visions that swelled men’s hearts like the Nile.

Once the priests become victims, at the center of the sacrificial circle formed by thousands and thousands of people, the king’s veil is lifted. Fruit of this last sacrifice are the plants that Akaf and Sali sow after the death of the priests, and which immediately sprout. The veil that is lifted from the king is now the sign of entry into the order of overt, unprotected esotericism, abandoned to the raging flux of events.

The ruin of Kasch takes place after the death of King Akaf. And Akaf, while not sacrificing himself, had maintained the practice of sacrifice until the end. But Far-li-mas cannot perform the sacrifice: he is neither priest nor king: he is just the other part of the last king. The kings have become extinct with Akaf, the priests have had to die in the ordeal. The king who is not sacrificed is the last king. He cannot pass his life on to a successor. It is the reverse of the modern situation: Louis XVI, the first king to be sacrificed (Charles I doesn’t qualify as an example) marks the end of royal sovereignty.

Far-li-mas marks the beginning of another reign: the reign of the word, after that of bloodshed. It is a reign that does not kill by way of ritual, but stirs death through a rapid, indomitable disorder that supervenes. The words of Far-li-mas replace the sacrifice: like the sacrifice, they have the power to command obedience: but they don’t have the power to establish time cycles. Time is now just the swing of the pendulum between one empty flow, devoid of attachments, and the suspension caused by the drug of the word. Far-li-mas’s words have a power of their own, but they cannot reflect the position of the stars.