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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

“So far as I am concerned—between ourselves—I couldn’t say who I feel more sorry for: the sovereign or the people, France or Europe. If the prince takes for granted the love of the people then he is lost, and if the people, for their part, don’t guard themselves against the character of the prince, I see it ending in terrible disaster, I see years of bloodshed to cancel out the enthusiasm of a few months. I see the innocent and the guilty embroiled in the same devastation. Whatever happens, either the cause of freedom is under threat, or the peace of France is at risk.

“Far be it for me to suspect Louis XVI of thirsting for blood, but a weak monarch surrounded by bad advisors easily becomes cruel, or, to put it another way, his weakness allows certain cruelties to be practiced under the authority of his name. In whatever way I look at the consequences of yesterday’s events, I fear for the future … … …

“Burn this letter.”172

The unreliability of the historian. Louis Madelin, an eminent Napoleonic historian, considers Talleyrand’s remark to Lafayette during the Fête de la Fédération to be unreliable, because it is “improbable.” Pasquier, who recorded it in his Mémoires, claimed he heard it from Lafayette himself. But Madelin insists: “The man [Talleyrand] was not a sacrilegious loudmouth and, as for Lafayette, a very serious character, he was never able to make anyone laugh.”173

Between the Fall of Names, indirectly provoked by Cloots’s embassy, and the Fête de la Fédération, Michelet is gripped by pathos; several times he is caught up in the eloquence of great moments, he bows before the “prophetic symbol.”174 But the emphasis also serves to delicately protect the gleaming nucleus of the Revolution: “In this system there is no passing on of previous merit, there is no nobility.175 But neither is there any transmission of earlier guilt.” The task of the Revolution is to wipe out original sin. The abolition of the merits of birth is no more than the exoteric face of a much more radical abolition: that of the guilt of mankind, Adamic guilt, the cancellation of original sin. Evil is now reduced to a conscious action willed by an individual: it is not a legacy that weighs on the fabric of life, that oversteps all limits of will and consciousness, that leaves its mark on everything. Here, all of a sudden, Michelet is a theologian—and from the shadows he summons his rival theologian, Joseph de Maistre, a man who, when he refers to the Revolution, will always refer to the indelibility of original sin.

What is striking above all in the Fête de la Fédération is the nakedness of the symbolism. No one recognizes symbols when they emerge from sleep, from carelessness, and from mockery—and then they seek to be transformed into Fact. The specter that guides the Revolution is that of the coniunctio, of the hieros gamos, the sacred marriage. But the first gesture of union immediately ebbs toward unity: “Alas!176 Experience of the world teaches us something strangely sad, though true, that union is often reduced to unity.” Thus it happens that “yesterday, the Revolution was a matter of religion; and now it becomes police.”177 Yesterday, in Michelet’s dream, it is the Fête de la Fédération; now it is the massacre that would be carried out, exactly a year later, in the same Holy Place.