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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Faded by légende, funerary ornament of every glory, unnamable because too often named, his victims are still seated on the “finest systematic laws” proclaimed at the Luxembourg, imperatoria brevitas, evocation of a larval nature. “Fatigue, the camps, the night watches have made me fat,” he wrote to Joséphine with his atrocious spelling, in his “badly formed” handwriting. “Horrible and impressive” were a good pair of adjectives: he used them in recalling the spectacle of that “miserable city”—Mantua—in flames.90

“A very shrewd observer, very calm, despite his fits of anger, which are mere subterfuges; a man of wit, if by wit we mean he understands the ignoble side of the heart; indifferent to good and bad, so that, in his impartiality, he would perhaps have preferred the first to the second, insomuch as more safe; he had moreover studied all the principles of tyranny, and it would have flattered his amour propre to have shown some sort of moderation as proof of his ability.”91

Napoleon’s legacy: the cult of will and the urge for control: a self-generated tension, a wind-up toy with a long spring. Control is illusory from the very start, but the machine it operates has nevertheless a majesty that encourages veneration.

Talleyrand’s legacy: in the final touch given to things, in the comma that decides meaning (a precept of the Duc of Choiseul), in the almost imperceptible mark that style leaves behind, in the conviction that, generally speaking, little can be done, and this littleness might be due, if anything, to transient gifts such as the ear, the sense of kairòs, lightness, agility in breasting the waters of metamorphosis.

“His repugnance and scorn for those who call themselves philosophers are apparent on every occasion.92 When he came to hear that events in Naples were going badly, that people were dying of hunger, that the new Court had no money, he said coldly: ‘That’s their business; see what happens to countries governed by philosophers.’—There’s nothing more amusing than the way he treats Emmanuel-Joseph Sieyès, his ex-colleague at the Consulate. ‘So, Monsieur Sieyès, how’s the metaphysics going?’—‘What do philosophers have to say about all this, Monsieur Sieyès?’—that’s the tone he uses with him. Sieyès, for his part, withdraws into an impenetrable silence.” These quips about metaphysics, reported by Gentz, were among the more subtle pleasures that power gave to Napoleon. And there was one man who escaped such mockery: Talleyrand, a metaphysician disguised to everyone, including himself.

We are always somebody’s metaphysicians. The ideologist Sieyès was ridiculous in the eyes of Napoleon, but Napoleon appeared awkwardly archaic in the eyes of the financier Gabriel-Julien Ouvrard, since he had failed to recognize the power that would soon overshadow every empire—credit.

“Napoleon knew no sources of revenue other than taxation and conquest.93 Credit for him was an abstraction; he saw in it only the dreams of ideology and the empty ideas of economists,” wrote Ouvrard. And once he even had the impudence to suggest to Napoleon what it was that would one day take his place: “He rose from his chair and, drawing me across to the window recess, he said: ‘Monsieur Ouvrard, you have lowered royalty to the level of commerce.’94—‘Sire, commerce is the accomplishment of states; it can do very well without royalty, whereas royalty cannot do without it.’ ”