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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Angry at society: they are words that no one would expect from the mouth of Talleyrand. And yet they are confirmed, with subtle variations, by what Talleyrand himself wrote in his Mémoires: “At the seminary I felt a sadness which, in a sixteen-year-old, has few comparisons. I established relations with no one. I did nothing except in bad humor. I felt resentful toward my superiors, toward my parents, toward the institutions, and above all toward the power that was given to social conventions to which I found myself obliged to submit.

“I spent three years at Saint-Sulpice, hardly speaking to anyone; people thought I was supercilious, they often reproached me … I was no more than a quiet young man, extremely miserable and inwardly vexed … The library at Saint-Sulpice, endowed by Cardinal de Fleury, was vast and well organized.731 I spent my days there reading the great historians, the personal lives of statesmen, moralists, a few poets. I devoured accounts of journeys. A new land, the dangers of a storm, the portrayal of a disaster, the description of countries where evidence could be seen of great transformations, sometimes conflicts, all of this strongly attracted me. At times it seemed that something about my situation was less hopeless when I observed these great voyages, these great disasters, descriptions of which filled the writings of modern navigators.” By a clever sleight of hand, Talleyrand had transformed what he had called revolt and sedition in private conversation into travels and storms in his public memoirs. Weren’t they, after all, the same thing? Weren’t they perhaps equivalent forms of that “torrent” that prevents us from ever resting on secure ground? About Max Stirner, during his years of adolescence, we have only a few notes from teachers in the records of schools that were certainly not as distinguished as the seminary at Saint-Sulpice. But the whole of The Ego and Its Own is impregnated with the memory of long, bitter imaginings of revolt. Stirner and Talleyrand, when they came out into the open, both found themselves moving forward into a whirling nothingness. Stirner belonged to nothing from the very beginning, and had to represent it in its purity and in its absoluteness; Talleyrand was nothing inasmuch as he had been ousted from his “natural place” which continued to exist for him in the midst of every conflict: a legitimate place, representing an order that could disrupt neither tempest nor revolt. He never fell, however, into the crude ingenuousness of thinking that such order could be identified with any kind of social system. And yet any system was bound to relate to such order. This was a reflection of the mysterious words of Saint Paul: “Non est enim potestas nisi a Deo—There is no power that does not come from God.”732 Throughout his life, he was accompanied by a premonition. He sensed, like a faint perfume, that behind the world, behind the fury of its waves, there was the inaccessible “hidden ocean,” celestial and terrestrial, perceivable through the distant vibrations of the waves: it was there that the prop of ṛta was born, it was there that it continued to rise, day after day, with the appearance of the Dawn.