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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

Louis XV called Mademoiselle de Romans “ma grande”—according to the perceptive eye of Sophie Arnould—because “nature, abandoning its rules of good taste, had pleased itself to make a great exaggeration. Mademoiselle de Romans had a comely figure, and everything about her was in perfect proportion, but that perfection was colossal … The king himself, who was a very handsome man, looked like a schoolboy or half a king beside her.”620 Louis XV went too often to visit her at Passy, and too often he had a carriage and six horses sent to collect her. Choiseul, his minister, began to be concerned about possible political consequences; Madame de Pompadour was alarmed. Only the Maréchale de Mirepoix could find arguments to reassure her: “I certainly won’t say that he loves you more than her, and if with the wave of a magic wand she could be transported here and were at dinner this evening and everyone were aware of her tastes, then you would perhaps have reason to worry.621 But princes are, above all, men of habit; the King’s friendship for you is the same that he has for your apartment, for what is around you; you have adapted to his ways, to his affairs; with you there is no embarrassment, he has no fear of boring you; how can you imagine he’d have the courage to upset all this in a single day, to settle down in a totally different world, and to make a public spectacle of himself with such a great change of decoration?” But Madame de Pompadour’s fear was tinged with curiosity: once the bastard was born, it was said that Mademoiselle de Romans went to the Bois de Boulogne, dressed in lace, with the infant in a wicker basket, and breast-fed him there, on a secluded path. One day Madame de Pompadour, preceded by her trusty Madame du Hausset, her face concealed by her bonnet and by a handkerchief that she kept over her mouth, pretended to be passing casually along the same path. Mademoiselle de Romans was breast-feeding, her jet-black hair held back with a diamond-encrusted comb. Madame du Hausset approached her and said: “ ‘What a pretty child.’622 ‘Yes,’ she replied, ‘I can say so myself, though I’m the mother.’ Madame, who was holding my arm, was trembling, and nor did I feel too confident. Mademoiselle de Romans said: ‘Do you live nearby?’ ‘Yes, Madame,’ I said, ‘I live at Auteuil with this lady, who at this moment has terrible toothache.’ ‘Oh, I am sorry, it’s a pain I’ve suffered much myself.’ ”