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Contents ( 51)
  1. Roberto Calasso
  2. Contents
  3. Note for Lucien
  4. Living in the Torrent
  5. Exempla Voluptatis
  6. The Grand Ball
  7. Treacherous Trifles
  8. Dismal Glory
  9. “The Mysterious Force of Legitimacy”
  10. Arcana Imperii
  11. The Origins of Sweetness
  12. Eulogius
  13. L’Autrichienne
  14. The Woodcutter and the Fisherman
  15. Goethe in Venice
  16. On Taste
  17. Metamorphoses of Style
  18. A Belated Nostalgia for Sorrow
  19. The Languor of a Park in Berry
  20. Around Port-Royal
  21. The Ruin of Kasch
  22. Among the Ruins of Kasch
  23. Elements of Sacrifice
  24. Law and Order
  25. The Forest Doctrine
  26. Archives and Will-o’-the-Wisps
  27. Postcards from the Quaternary
  28. The Demon of Repetition
  29. Goethe’s Birthday
  30. Sacrificial Crumbs
  31. The Antiromantic Child
  32. Limits
  33. Process
  34. Glosses on Marx
  35. Ricardo’s Ruthlessness
  36. Geldkristall
  37. History Makes Experiments
  38. The Artificial Barbarian
  39. Un frisson nouveau
  40. Behind the Glass
  41. Bien-aimé
  42. A Visit to Picpus
  43. “The Organization Wouldn’t Like That”
  44. The Moscow Doorkeeper
  45. Montaigne’s Wake
  46. The Wolf-Man Recalls
  47. Voices from the Palais-Royal
  48. Mundus Patet
  49. Letter from Saint Petersburg
  50. Notes
  51. THE BEGINNING

There is one later follower—Nietzsche—who would be moved by similar ideas and would take a long time to express that violent opening imperative in a strategy. Having recognized the imaginary nature of every hypostasis, and the malevolent power of those fictions, instead of withdrawing into the barbarous silence of the “unnamable” and the “inexpressible” he would recognize figments (and therefore the hypostases), not only in every word and every action, but in every form and process of nature. And he would choose to deal with all figments as such, considering how they continually changed the terms of appearance, so that they would prevent it, however splendid and ocellated it may be, from being imperceptibly petrified into essence.

Over time, everything becomes part of the history of philosophy. In 1866, after twenty years of almost total obscurity, Stirner was named in two books that would long remain key references: Johann Edward Erdmann’s Grundriss der Geschichte der Philosophie (Outlines of the History of Philosophy) and Friedrich Albert Lange’s Geschichte des Materialismus (History of Materialism). Stirner’s new reputation would, indeed, be made from a passage in this latter “history.” The Ego and Its Own reemerges from the regenerative silence as a “notorious work.”545 But Lange had been impressed to some extent by Stirner, so he added the words that turned out to be crucial: “this book—the most extreme that we know of its kind.”546

The “magic of the extreme” (“the spell that fights on our behalf, the eye of Venus that charms and blinds even our opponents, this is the magic of the extreme, the seduction that everything extreme exercises: we immoralists—we are the most extreme …”) would work once again.547 In the summer of 1887, a young Scot, John Henry Mackay, would discover the name Stirner and that phrase for the first time while reading Lange’s work at the British Museum. He noted it down. When he read The Ego and Its Own a year later, it seemed to him that humanity had found its redeemer in Stirner. He soon set off on the trail of the prodigious and by then unknown author. Marx and Engels had constructed “Marxism” and the “Marxist” piece by piece (without failing, of course, to denigrate those terms later) whereas Stirner did not construct the “Stirnerian,” though he left some useful notions for his construction. He grew inexorably by himself: based on the model of the somewhat ridiculous and pompous Scot, he would be followed by countless others, from the workers of the black terror to the dandies of La Revue blanche. Mackay began work on his research for Stirner’s biography, mobilizing all the mighty forces of spiritual kitsch (“for this book is life itself”), which at that time was gaining heights never again achieved.548 Stirner sparked a further paradox. “Here we have Stirner’s book, excessively mature and extremely blasé product of a long evolution, without even a hint of naivety, last fragment of crumbling Hegelianism, which was buried by criticism and ridicule. And on the other hand, Mackay as Stirner’s biographer—boyish at heart, full of naivety, a fine, amiable soul, who has everything except a drop of humor and critical capacity.” The destroyer of the “Cause” was now becoming the noblest “Cause,” to be spread using every means: the object of sacrifice, of abnegation, of unswerving devotion.549 First Mackay and then the awkward clan of Stirnerians would be a living example of those “pious atheists” whom Stirner had ridiculed in his book.