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Chapters (35)
  1. Cover
  2. Title Page
  3. Copyright Notice
  4. Dedication
  5. Chapter 1: London, 1913
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20: 1917
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23: 1919
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Acknowledgments
  34. Also by Paula Brackston
  35. About the Author

He wonders at once how he would paint such a phenomenon, how he would capture on canvas the strength of that light in the midst of such gloom. A familiar excitement stirs within him at the idea of the challenge. His pulse quickens. Images flash through his mind, light upon dark, dark upon light, blocks of color and bold brush strokes. In that moment of inspiration all is possible. He drops his luggage to the ground and scrabbles in his knapsack, pulling out board and paper, digging deeper for dusty shards of charcoal. He supports the board with one arm, pinning the paper to it with his fingers at the top. In his right hand he grasps the charcoal and turns to stand facing the scene he wishes to capture. He is in the full glare of the sun, and can feel perspiration beading his brow, dampening his hair. His hat offers more heat than shade, so he pushes it from his head, letting it lie where it falls on the parched ground. He frowns against the glare of the blank page, hesitating only a moment before beginning to sketch. A passing couple comment sharply on his inappropriate behavior. He is immune to their criticism. He knows he is witness to the grief of strangers, and he knows his actions could be seen as callous or disrespectful. The small part of him that still pays heed to such conventions, however, is stamped down by the urgency of his desire to depict what he sees, to immortalize that moment. It is not merely the juxtaposition of shapes, of sunlight and shadow, of patterns and elegant lines he wishes to show. Nor is he interested in recording a comment on society and its cherished traditions. It is the very essence of his subjects he strives to transpose to his picture.

To show what cannot be seen one must first represent what can be seen, he tells himself.

His mind works as swiftly as his hand as he draws. Deft, energetic marks begin to fill the paper.

It is my lot to spend my life in pursuit of the impossible. To reveal what is hidden. But am I able? Am I equal to the task?

He continues to work even as he feels his head spin with the heat of the day and the intensity of his concentration. Even as curious onlookers pause to peer over his shoulder. He works on, seeking to show the brilliance of life in the midst of a ceremony for the dead. Even as the vicar closes his good book. Even as the beautiful, slender girl beside the open grave raises her head and finds herself to be beneath his fervent gaze.

Chapter 2

2.