In the end the sisters are picked up by a majestic clipper ship that sails through the sand as if it were water. The ship is crewed by large bunnies who would be overly cutesy (the Wandering Dune–haters always compared them to Ewoks) if it weren’t for their impressively hard-assed attention to the technical details of operating their complex vessel.

The bunnies leave Jane and Helen with a gift, a set of magical buttons they can use to zap themselves from Earth to Fillory and back at will. On returning to England, Helen, in a fit of self-righteousness, promptly hides the buttons and won’t tell Jane where they are, upon which Jane excoriates her in fine period vernacular and turns the entire household upside down and inside out. But she never finds the buttons, and on that unsatisfying note the book, and the whole series, ends.

Even if it didn’t turn out to be the final book in the series, Quentin wondered where Plover could possibly have gone with the story in The Magicians . For one thing he was out of Chatwins: the books always featured two Chatwin children, an older one from the previous book and a new, younger one. But pretty, dark-haired Jane was the last and youngest Chatwin. Would she have gone back to Fillory alone? It broke the pattern.

For another, half of the fun of the books was waiting for the Chatwins to find their way into Fillory, for the magic door that opens for them and them only to appear. You always knew it would, and it always surprised you when it did. But with the buttons you could shuttle back and forth at will. Where was the miracle in that? Maybe that was why Helen hid them. They might as well have built a subway to Fillory.

Quentin’s conversations with his parents were so circular and self-defeating, they sounded like experimental theater. In the mornings he lay in bed as long as he could stand it, in an attempt to avoid breakfast with them, but they always waited him out. He couldn’t win: they had even less to do than he did. Sometimes he wondered if it was a perverse game they played, that they were in on and he wasn’t.

He would come down to find them sitting at a table littered with crusts and crumbs and clementine peels and cereal bowls. While he pretended to be interested in the Chesterton Chestnut, he would furiously search for some even remotely plausible topic of conversation:

“So. Are you guys still going on that trip to South America?”

“South America?” His dad looked up, startled, as if he’d forgotten Quentin was there.

“Aren’t you going to South America?”

A look passed between Quentin’s parents.

“Spain. We’re going to Spain and Portugal.”

“Oh, Portugal. Right. I was thinking Peru for some reason.”

“Spain and Portugal. It’s for your mother. There’s an artists’ exchange with the university in Lisbon. Then we’re going to take a boat trip down the Tigris.”