Outside the bar the sun had set, and a few other creatures trailed in. Three beavers sipped from a common dish at a round café table in the company of a fat, green, oddly alert-looking cricket. In one corner, by itself, a white goat lapped at what looked like pale yellow wine in a shallow bowl. A slender, shy-looking man with horns jutting through his blond hair sat at the bar. He wore round glasses, and the lower half of his body was covered in thick bushy hair. The whole scene had a dreamlike quality, like a Chagall painting come to life. In passing, Quentin noted how disturbing it was to see a man with goat’s legs. Those backward-bending knees reminded him of the crippled or the gravely deformed.

As the inn filled up the silent family rose as one and shuffled out of their booth, their expressions still somber. Where could they be going? Quentin wondered. He’d seen no sign of a village nearby. It was getting late, and he wondered if they had a long walk ahead of them. He pictured them trudging down the grooved dirt road in the moonlight, the little girl riding on the old man’s narrow shoulders and then later, when she was too tired even for that, drooling drowsily on his lapel. He felt chastened by their gravity. They made him feel like a bumptious tourist, rattling drunkenly around what was, he kept forgetting, their country, a real country with real people in it, not a storybook at all. Or was it? Should he run after them? What secrets were they taking with them? When she reached to open the door, Quentin saw that the woman with the elegant cheekbones had lost her right arm below the elbow.

After another round of schnapps and scintillating persiflage with Humbledrum, the little silver birch sapling emerged from wherever it had been concealing itself and threaded its way through the room toward them, padding on feet of matted roots which still had clods of dirt clinging to them.

“I am Farvel,” it said chirpily.

It looked even stranger in the full light of the bar. It was a literal stick figure. There were talking trees in the Fillory books, but Plover was never very precise in describing their appearance. Farvel spoke through what looked like a lateral cut in its bark, the kind of wedge that a single hatchet blow might have left. The remainder of its features were sketched out by a spray of thin branches covered in fluttering green leaves, which roughly limned the outlines of two eyes and a nose. He looked like a Green Man carving in a church, except that his flat little mouth gave him a comically sour expression.