Back The Lost Century
Chapters (58)
  1. Cover
  2. Dedication
  3. CHAPTER 1Typhoon ShelterYOU ASKED
  4. 1936–1937
  5. CHAPTER 2TUITION
  6. CHAPTER 3STEAMED FISH
  7. CHAPTER 4LETTERS ACROSS OCEANS
  8. CHAPTER 5MAKE A WISE DECISION
  9. CHAPTER 6Typhoon ShelterTHE TROUBLES OF CAPTAIN LEE
  10. CHAPTER 7ELOPE
  11. CHAPTER 8DINNER AT TAI HANG
  12. CHAPTER 9Typhoon ShelterTHE GEOMANTIC FATE OF WONG NAI CHUNG VILLAGE
  13. CHAPTER 10RESIDENT ROMEO AND JULIET
  14. CHAPTER 11THE WORLD OF EMILY MAH
  15. CHAPTER 12JOLLY GOOD FELLOW
  16. CHAPTER 13FRAMED
  17. CHAPTER 14Typhoon ShelterME AND TING-YAN
  18. CHAPTER 15MONKEY’S WEDDING
  19. CHAPTER 16NOT GOLDEN
  20. CHAPTER 17POSSESSED BY LAUGHTER
  21. CHAPTER 18CHEUNG’S NEW HOME
  22. CHAPTER 19GO-BETWEEN
  23. CHAPTER 20AN UNEXPECTED VISITOR
  24. CHAPTER 21A VISIT TO WONG NAI CHUNG VILLAGE
  25. CHAPTER 22CHILDHOOD HOME
  26. CHAPTER 23CHINESE WEDDING
  27. CHAPTER 24HORACE’S LEAP
  28. 1941
  29. CHAPTER 25STUFFED CRAB
  30. CHAPTER 26ST STEPHEN’S COLLEGE
  31. CHAPTER 27WHEN IS A FISH NOT A FISH?
  32. CHAPTER 28Typhoon ShelterTHE CHINESE COOPERATIVE COUNCIL
  33. CHAPTER 29STUBBORN
  34. CHAPTER 30LOOTED
  35. 1942
  36. CHAPTER 31NOMA WANTS A PARTY
  37. CHAPTER 32BURN THIS LETTER
  38. CHAPTER 33VERY PREGNANT
  39. CHAPTER 34GET OUT WHILE YOU CAN
  40. CHAPTER 35SCAR
  41. CHAPTER 36THE NEWS ABOUT TAK-TAM
  42. CHAPTER 37WHAT CHILD IS THIS?
  43. CHAPTER 38MOON AND STARS OVER SAI KUNG
  44. CHAPTER 39TIMELESS TEST MATCH
  45. CHAPTER 40A CUP OF SALT
  46. CHAPTER 41ENDGAME
  47. CHAPTER 42THIS FISH
  48. CHAPTER 43EMILY FLEES
  49. CHAPTER 44ESCAPE
  50. CHAPTER 45NOT A DREAM
  51. CHAPTER 46CHEUNG PLOTS REVENGE
  52. CHAPTER 47Typhoon ShelterLET’S GO HOME
  53. CHAPTER 48THE SEA AT NIGHT
  54. CHAPTER 49CARP’S EYE
  55. CHAPTER 50IN THE CHAPEL
  56. CHAPTER 51Typhoon ShelterTHE FINAL SECRET
  57. Acknowledgments
  58. Notes on Spelling, Transliteration, Naming, and Language

Steamed fish knows nothing. It has to be served unmolested and scantily cooked, that’s how you know that it’s fresh. That’s how you know the cook has skill. They leave the head on. The eyes are boiled white so children can chew them like candy. The cook pours good quality soy sauce over it, properly fermented in the old way, with no sugar or anything else added, not like the soy sauce they make these days with chemicals, salt, and caramel colouring. Proper sauce is made with soy beans, wheat, salt, and water, fermented with a special yeast, then strained and pressed. It’s poured over the fish with a little good quality peanut oil, shredded ginger, and green onions. That’s it—simple, so you can tell the fish was alive just moments before cooking. In fact, a good restaurant still takes the live fish to the table in a pan, and as it flaps and gasps for air, everyone oohs and aahs and says, “Yes, yes, very fresh, ho sun seen!” Sometimes the kids don’t like it, especially the ones who were raised in Canada. What fools. They want their food brought to them already cooked and cut up, don’t show me where it came from, just bring it to me hot and smooth and ready to eat! But if you don’t see where it came from, how can you know you’re not being tricked? That’s what all those packaged, ready-to-eat foods you can buy these days at Wellcome are—neat little tricks for the spoiled and stupid who don’t know any better. In my day, if you couldn’t see it alive and flipping before it was cooked and served, you couldn’t be sure what those sneaky cooks might bring you. Those sneaky, crooky cooks like Tak-Wing’s father, Cheung Chiu-Wai! You never know what a cook like Cheung Chiu-Wai might do in the kitchen with that fresh fish; someone like him might still swap it out for another one, smaller and less fresh. There would be no stopping him from doing that, but the point of showing you beforehand was that it would give you at least half a chance of being able to tell when it came to the table. A gasping fish is a sign of the restaurant’s honesty. That’s why it has to be just barely cooked too. A discerning customer like my father Mah Chin-Pang could tell. He would look sternly at the live fish when it was brought flopping in its pan, and even more sternly at the cooked one to make sure it was the same fish.