Back The Last House on Needless Street
Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

The bathroom is old white tile, mapped with cracks. A buzzing neon light hangs overhead, filled with the corpses of moths and flies. She puts blankets and pillows in the bathtub. Safest place in an earthquake, as her father used to say. Anyway, she doesn’t have a bed. Dee lays the claw-hammer down beside her on the cold tile. She closes her eyes and practices reaching for it, reinforcing the muscle memory, imagining herself just woken from sleep, imagining a dark figure looming over her.

She pictures Lulu’s face, the way expressions chased across it, clouds over the sun.

She reads Wuthering Heights. She is only a couple of pages from the end. When she finishes, she opens the book at random in the middle and continues reading. Dee only ever reads this one book. She likes to read, but you never know what books are going to do to you and she can’t afford to be taken off guard. At least the people in Wuthering Heights understand that life is a terrible choice, which you must make each day. Let me in, Catherine pleads. Let me in.

When she turns out the light the dark is rich and complete. The house breathes about her like a person, boards groaning, releasing the stored heat of the day. Stars peer through the window. The house isn’t really in the city at all—it is almost in the forest. She is so close to where it happened. The air holds the memory of the event, somehow. The particles of it are carried on the wind, lie in the earth, the old trees and dripping moss.

Her dreams are filled with burning sun and the fear of loss. Her parents walk through the desert, hand in hand, under a sky filled with stars. Dee watches as long as she can, but then the red birds take flight and the sky goes white, and the sound of their wings is a soft feathery scratching. She sits upright in the dark, heart pounding. Sweat trickles down her back and between her breasts. The sound has followed her out of the dream. From downstairs it comes again. Dee hears that it is not wings, but a scratch, like a long nail on wood.

Her palm is slippery on the rubber handle of the claw-hammer. She creeps downstairs. Each board cracks like a shot beneath her feet. The scratching continues, sharp claws or fingernails raking the wood. Dee understands that there has been some critical slippage between worlds. Let me in—let me in. Faint silver pours in through the uncurtained living room windows. The scratching is faster now, insistent. Dee thinks she hears another sound behind the scrabbling—it is high, broken. Sobbing, perhaps. The bookcase trembles, as if the force behind it were growing in fury and in strength.