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Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

It could take a lifetime to understand this complex disorder. There seem to be many variations between cases, and a multitude of different ways in which dissociative identity disorder can manifest. Ted is not based on a particular case. He is wholly imagined and any mistakes are all my own. But I have tried to do justice in this book to the people whose lives are touched by DID—to hold onto what was said to me that afternoon, over our cooling cups of coffee. Dissociative identity disorder may often be used as a horror device in fiction, but in my small experience it is quite the opposite. Those who survive, and live with it, are always striving toward the good.

ACKNOWLEDGMENTS

To my wonderful agent Jenny Savill, whose faith in Ted, Olivia and Lauren kept me going, and who fought for them all the way, I can only say thank you. The stars must have been aligned the day we met. My amazing U.S. agent, Robin Straus, and her colleague Katelyn Hales worked tirelessly to bring this book to the United States. I am eternally grateful.

The tireless, redoubtable Miranda Jewess edited this book firmly and gently into its final form. It must have been like driving a team of octopuses down Piccadilly. I am full of admiration for her, Niamh Murray, Drew Jerrison and all the Viper team who have worked so hard to support this book. The Last House on Needless Street found its perfect U.S. editor in Kelly O’Connor Lonesome, and the best U.S. home with Tor Nightfire. It is so rewarding to work with these wonderful publishers.

Love and thanks go as ever to my mother, Isabelle, and my father, Christopher, for all their help since the very beginning. Their support sustains me, as does that of my sister, Antonia, and her family—Sam, Wolf and River.

To my shining, good-hearted and very impressive friends, thank you. I am so grateful to Emily Cavendish, Kate Burdette, Oriana Elia, Dea Vanagan and Belinda Stewart-Wilson for their willingness to listen, a place to lay my head in tough times, many words of comfort as well as more caustic observations, wine and much wisdom. Natasha Pulley has my deepest gratitude for our long talks, for her excellent ideas and endless wit. Gillian Redfearn’s support and friendship has been a lifeline. My earliest readers were Nina Allan, Kate Burdette, Emily Cavendish and Matt Hill—their encouragement spurred me on. Eugene Noone’s joy, creativity and friendship inspired me for many years and his memory will continue to do so. He is deeply missed by me, and many others.

I am profoundly thankful for my endlessly talented, wonderful partner, Ed McDonald—for his support, generosity of spirit and keen editorial eye. I am so very lucky. I can’t wait for more adventures together.