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Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

Dawn wakes me these days. I surface slowly from a dream full of red and yellow feathers. My mind echoes with green sounds and thoughts that are not my own. I can taste blood in my mouth. I never know whose dreams I am going to get in the night. But the body actually gets to rest, these days, instead of being used by someone else while I sleep. So it’s worth it.

Other things are different too. Three days a week I work in the kitchen of a diner across town. I like the walk, watching the city slowly grow up around me. Right now I just wash dishes, but they tell me that maybe soon I can start helping the fry cooks. There is no work today—today is just for us.

Without plywood over the windows, the house seems made of light. I get out of bed, careful not to tear the staples that run down my side. Our body is a landscape, of scars and new wounds both. I stand and for a moment there is a wrestling in the depths of us. The body sways dangerously and we all feel sick. Sulky, Lauren lets me take control. I steady us with a hand on the wall, breathing deeply. The day is full of these seismic, nauseous struggles. We are learning. It is not easy to hold everyone in your heart at once.

Later today, maybe Lauren will take the body. She will ride her bike and draw, or we will go to the woods. Not to the glade, though, or the waterfall. We don’t go there. The blue dress of rotting organza, her old vanity case, her bones—they must be left alone so that they stop being gods and return to being just old things.

We will walk under the trees and listen to the sounds of the forest in autumn.

The tired possum detective and the police are searching the woods near the lake. They want to find the little boys Mommy took. They think there might have been as many as six, over the years. It’s hard to say because children do wander off. They were mostly boys from sad families, or who had no families. Mommy would have chosen the ones who wouldn’t be missed. Little Girl With Popsicle was a big deal because she had parents.

Maybe one day the boys will be found. Until then I hope they are peaceful under the forest green, held by the kind earth.

In the late afternoon perhaps Night Olivia and I will doze on the couch, watching the big trucks. When darkness falls they will hunt. A moment of unease travels through me, like the brush of a wet leaf on the back of my neck. Night Olivia is large and strong.