Back The Last House on Needless Street
Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

“Please come and arrest Ted for murder,” a little, anxious voice says. “And other things. They have the death penalty in this state, I know that…”

It’s a short recording, lasting maybe a minute. Dee listens without breathing. Then she rewinds and listens to it again. Then she listens further, in case there is another recording after this one. But it’s just some medical student’s notes. A woman with a slight accent Dee cannot place, and a voice like a clear bell.

She sits back. It is Lulu. Older, yes. But Dee cannot mistake her sister’s tones. Now that the moment has arrived and she has proof, Dee does not know what to do. She puts a hand on her heart, which is pounding. It feels swollen, likely to burst.

She should tell tired Karen about all this, take her the tape. She will, as soon as she can lift her head from her hands.

There comes a familiar sound from outside. Thunk, thunk, thunk.

Dee’s body becomes electric. She goes to the darkened window. Ted has come out into the back yard. He stands for a moment, listening. He looks around. Dee stays still as a post. She hopes the moonlight reflecting on the windowpane will hide her silhouette. Apparently it does, because Ted nods to himself, and goes to the tangle of blue elder that overruns the eastern corner of the yard. He digs with his hands.

Ted takes something from the ground. He shakes it free of earth, and then slides it briefly from its sheath. A long hunting knife. The blade reflects the moonlight. He puts the knife on his belt and goes into the house.

When he emerges again some minutes later, he has a bag on his back. He goes slowly out of his yard, toward the forest. As Dee watches, the bag seems to move. She is sure it’s twitching in the faint light.

Dee’s mind clears. Everything becomes cold and hard. There is no time for Karen. Lulu must be saved—and there is a monster to be dealt with. Get it done, Dee Dee, she thinks.

Dee runs to the closet and grabs the spray can of fluorescent paint, the claw-hammer and the thick, snake-proof boots she bought for this moment. She throws on her hoodie, jacket, ties the laces with shaking hands. She emerges from her house and closes the door quietly behind her, in time to see Ted vanish under the trees. His flashlight dances on the night air.

Dee bends low to the ground and runs after him on silent feet. This time nothing will stop her.

Fifty feet into the forest, where the streetlight can still be glimpsed through the branches, she stops and blazes the trunk of a beech tree with the reflective yellow paint. Branches brush her face and drag at her legs. The forest at night is slippery, it clings. She tries to quiet her breath.