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Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

He snarls but he is still too deep down for me to catch it. It is either, Now, now, now, or, No, no, no. I cannot be sure which.

We hunt through drawers and cupboards. All we find is dust. To keep us entertained, Lauren makes up songs. The best one is about a woodlouse. It is really, really good.

We are exhausted. I curl up on the floor under the couch. The cord lies in a pile beside me. It is pale yellow and delicate today.

Even if we found the knife I couldn’t use it on Ted. Apart from one brief flash, when Lauren took down the wall between us, I have not been able to control the hands, the head, the arms like a ted. I just feel like a cat. And there’s something else, too. I wish I didn’t but I still feel the old pull when I think of Ted. Love doesn’t die easily. It kicks and fights.

Lauren says, “You have to keep practicing, Olivia.”

I’m tired, I say. In my head I think, Practice is horrible and I hate it.

“I heard that,” she says. “How do you think we’re going to get out of here if you can’t use the body, you stupid cat?”

You are quite rude sometimes.

“At least I don’t go back on my promises, Olivia. You said you’d try.”

I row with unhappiness, because I know she’s right.

She sighs. “Let’s start again. Go to the bottom of the stairs. What can you see?”

I see the stairs, I say, tentative. (I always feel like my answers are wrong.) I see the carpet. The bannister, running up. At the top, I can just see the landing. And if I turn around I can see the front door, the umbrella stand, the door to the kitchen, into the living room a little …

“OK,” she says. “Enough. So, we’ll call this ‘Night-time.’ He can see what’s down here, but nothing more. Think about that. Imagine him here at the bottom of the stairs. Now, let’s go up top.”

On the last stair but one, before the landing, she pulls me up. “What do you see?”

I can see the bathroom door, I say, and Ted’s room and your room and the roof light …

“All the upstairs stuff, right?”

Yes.

“But can you see anything downstairs? The hall? The front door, the umbrella stand…”

No.

“So, let’s call this ‘Lauren.’ That’s what I can see. Got it?”

Not really, I say, but she’s not listening.

“Go down again.”

When I am precisely half way down the stairs, Lauren says, “Stop.” I am on the step where I like to nap. There are seven stairs below me and seven above. “Now what do you see?” Lauren asks.