Back The Last House on Needless Street
Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

The bug man says, “I think you’re talking about dissociative identity disorder, or DID.”

Dissociative identity disorder. It sounds like something that goes wrong with a TV or a stereo. It doesn’t sound like anything to do with Lauren.

The bug man is watching me closely, and I realize that I am murmuring to myself. Being weird. I fix him with a firm gaze. “That’s very interesting.”

“It used to be known as multiple personality disorder,” he says. “DID is a new term—but we still don’t really understand it. I deal with it extensively in my book. In fact, you might say the whole thesis—”

“So what do we understand?” I say, keeping him to the point. I know from experience that if I don’t he’ll just talk about his book forever.

“The girl in your TV show would probably have been subject to systematic abuse, physical or emotional,” he says. “So her mind fragmented. It formed a new personality to deal with the trauma. It’s rather beautiful. An intelligent child’s elegant solution to suffering.” He leans forward. His eyes are bright behind his glasses. “Is that what you saw, on the show? Abuse?”

“I don’t know,” I say. “Maybe I missed that part while I was getting popcorn. Anyway the mother doesn’t know what to do about it. What should she do? In your professional opinion.”

“There are two schools of thought on this,” he says. “The first sets as its goal a state known as co-consciousness.” He sees my look, and says, “A therapist would try to help the alternate personalities, or alters, to find a way to live harmoniously with one another.”

I almost laugh out loud. Lauren could never live harmoniously with anyone. “That wouldn’t work,” I say. “On the show the two people don’t know that they’re one person.”

“Her imagination could be made to work for her,” he says. “She doesn’t have to be at its mercy. She should construct a place inside herself. A real structure. A lot of children use castles, or mansions. But it can be anything. A room, a barn. Big, with enough room for everyone. Then she can invite the different parts to congregate there safely. They can get to know one another.”

“They really don’t like each other,” I say.

“I can recommend some reading,” he says. “That could help you understand this approach better.”

“What’s the other school of thought?”

“Integration. The alters are subsumed into the primary personality. Effectively, they disappear.”

“Like dying.” Like murder.