Back The Last House on Needless Street
Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

Yes, I say. The feeling is just like being enclosed in loving arms. We sit for a while, holding each other.

In the living room, Ted groans.

“He’s coming,” she says. “I have to go. I’ll try and come back soon.”

She touches me gently, comforting. “You opened the door between us, Olivia. It will be different now.” And then she is gone.

I used to spend all my time wishing Ted would come home. Now all I want is for him to stay away.

I feel weird because even though it is such an awful situation, I love having Lauren around. She is fun to talk to. We talk or play or just sit together. It is really nice, like having one of the kits in my litter with me again. I suppose that’s what Lauren is. She can make it feel like she’s stroking me or hugging me, though it’s just in our mind. The music stops her from using our body. It’s like being tied up but not gagged, she says, and I shudder at her matter-of-fact tone, because she sounds so young, and no one should know how those things feel.

Tonight we are curled up together on the couch in the dark house. Outside, the trees spread fingers against the moonlight. The cord is a soft black, invisible against the night. Ted is passed out, the stone-dead kind of passed out, upstairs. We whisper to each other.

“If I still had my feet we could run away,” Lauren says. “Just run.”

Can you see me? I ask. I can’t see you. I wish I could. I want to know what you look like.

Ted has made sure that there are no reflective surfaces in the house.

“I’m glad you can’t,” she says. “Too much has been done to our body. I feel you, though. You’re warm—it’s nice, like someone is sitting by my side.”

I try not to think about the body, Lauren’s body, that she says we both live in. I kind of only half believe her. I can feel my fur, my whiskers, my tail. How can that not be real?

You know, there’s another one, I say. There are three of us. He’s called Night-time.

“I think there are more than three,” she says. “I hear them sometimes, when I’m very deep down. I try not to. I don’t like it when the little ones cry.”

Deep down?

“There are other levels. I need to show you all that.”

Fear strokes me, a dark feather. I purr anxiously to make the feeling stop.

“Don’t you think, Olivia,” and I can hear the wet catch in her voice, “that it would be better if none of us had been born?”