Back The Last House on Needless Street
Chapters (60)
  1. Copyright Notice
  2. Dedication
  3. TED BANNERMAN
  4. OLIVIA
  5. TED
  6. DEE
  7. TED
  8. OLIVIA
  9. DEE
  10. TED
  11. OLIVIA
  12. DEE
  13. TED
  14. OLIVIA
  15. TED
  16. OLIVIA
  17. TED
  18. DEE
  19. OLIVIA
  20. TED
  21. OLIVIA
  22. TED
  23. DEE
  24. OLIVIA
  25. TED
  26. OLIVIA
  27. TED
  28. OLIVIA
  29. TED
  30. DEE
  31. TED
  32. LAUREN
  33. OLIVIA
  34. TED
  35. OLIVIA
  36. DEE
  37. TED
  38. OLIVIA
  39. TED
  40. OLIVIA
  41. DEE
  42. OLIVIA
  43. TED
  44. OLIVIA
  45. DEE
  46. TED
  47. LAUREN
  48. TED
  49. LAUREN
  50. TED
  51. NIGHT OLIVIA
  52. TED
  53. LITTLE TEDDY
  54. TED
  55. AFTERWORD
  56. ACKNOWLEDGMENTS
  57. BIBLIOGRAPHY
  58. Also by Catriona Ward
  59. ABOUT THE AUTHOR
  60. Newsletter Sign-up

“I remembered his name, and I knew that names were real important to grown-ups, so I tried to say, ‘Please, let me out, Ted.’ But I had trouble saying my “d’s, back then. So it came out ‘Teb.’ And when he wouldn’t let me out I thought that was why—I got his name wrong, and that made him mad. It took me a while to figure out that he would never let me go, no matter how I said it.

“At first, for a long time, I lived in the box. He trickled water through the holes and I opened my mouth and drank it. He gave me pieces of candy the same way. Sometimes cookies or a chicken finger. He played the music really loud, all day and all night. The sad woman who sings. I thought that maybe I was in the hell they used to warn us about, at Sunday school. But hell was supposed to be full of fire, and it was very wet and cold, where I was, cold to the bone. After a while I didn’t notice any of it anymore, not even the smell. Time stopped being a line and flattened out.

“I had to learn a new language, for my body and my mind. The language of the box. It meant instead of walking, I just moved my feet an inch or two. That was a journey. Instead of jumping up and down or dancing, which I had once liked to do, I clenched and unclenched my fists. Sometimes I bit my cheek, to taste blood. I pretended it was food.

“If I made noise or kicked at the sides of the box, boiling water came through the holes. I couldn’t see, but I knew the burns were bad, because of the way my skin came off. Kind of like snakeskin. It smelled bad and I wanted to die with how bad it hurt.

“One day the music stopped. Above me, there was an explosion of light. I had to keep my eyes closed, it was too bright, I had been in the dark for too long. I heard him say, ‘Let’s get you clean.’

“He lifted me out of the box. I cried because I thought there would be more boiling water, but it was cool, from the faucet. I think he bathed me standing in the sink. Afterward he put something soothing on my burns and covered them with gauze.

“‘I put boards up over the windows for you,’ he said. ‘It’s dim in here. You can try opening your eyes.’

“I did—just a crack at first, and then a squint. The house was dim and huge. Everything juddered and shook. My eyes had forgotten how to see distances, because I had been in the box for so long.