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Contents (190)
  1. CONTENTS
  2. ACKNOWLEDGEMENTS
  3. BOOK ONE
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. 6
  10. 7
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. 13
  17. 14
  18. 15
  19. 16
  20. 17
  21. 18
  22. 19
  23. 20
  24. 21
  25. 22
  26. 23
  27. 24
  28. 25
  29. 26
  30. 27
  31. 28
  32. 29
  33. 30
  34. 31
  35. 32
  36. 33
  37. 34
  38. 35
  39. 36
  40. 37
  41. 38
  42. 39
  43. 40
  44. 41
  45. 42
  46. 43
  47. 44
  48. 45
  49. 46
  50. 47
  51. 48
  52. 49
  53. 50
  54. 51
  55. 52
  56. 53
  57. 54
  58. 55
  59. 56
  60. 57
  61. 58
  62. 59
  63. 60
  64. 61
  65. 62
  66. 63
  67. 64
  68. 65
  69. 66
  70. 67
  71. 68
  72. 69
  73. 70
  74. BOOK TWO
  75. 71
  76. 72
  77. 73
  78. 74
  79. 75
  80. 76
  81. 77
  82. 78
  83. 79
  84. 80
  85. 81
  86. 82
  87. 83
  88. 84
  89. 85
  90. 86
  91. 87
  92. 88
  93. 89
  94. 90
  95. 91
  96. 92
  97. 93
  98. 94
  99. 95
  100. 96
  101. 97
  102. 98
  103. 99
  104. 100
  105. 101
  106. 102
  107. 103
  108. 104
  109. 105
  110. 106
  111. 107
  112. 108
  113. 109
  114. 110
  115. 111
  116. 112
  117. 113
  118. 114
  119. 115
  120. 116
  121. 117
  122. 118
  123. BOOK THREE
  124. 119
  125. 120
  126. 121
  127. 122
  128. 123
  129. 124
  130. 125
  131. 126
  132. 127
  133. 128
  134. 129
  135. 130
  136. 131
  137. 132
  138. 133
  139. 134
  140. 135
  141. 136
  142. 137
  143. 138
  144. 139
  145. 140
  146. 141
  147. 142
  148. 143
  149. 144
  150. 145
  151. 146
  152. 147
  153. 148
  154. 149
  155. 150
  156. 151
  157. 152
  158. 153
  159. 154
  160. 155
  161. 156
  162. 157
  163. 158
  164. 159
  165. 160
  166. 161
  167. 162
  168. 163
  169. 164
  170. 165
  171. 166
  172. 167
  173. 168
  174. 169
  175. AUTHOR’S NOTE
  176. NAMELESS
  177. JESSIE KEANE
  178. LAWLESS
  179. JESSIE KEANE
  180. THE EDGE
  181. JESSIE KEANE
  182. RUTHLESS
  183. JESSIE KEANE
  184. STAY DEAD
  185. JESSIE KEANE
  186. DANGEROUS
  187. JESSIE KEANE
  188. FEARLESS
  189. JESSIE KEANE
  190. ABOUT THE AUTHOR

Lil opened her mouth to speak and then clamped it shut again. Her mother hadn’t troubled herself to come and visit her in Clacton, despite several invitations, each of them met with feeble excuses – but she’d make the effort for the sainted Dora. Of course. That was how it had always been, how it would always be.

‘You can see how she’s fixed,’ said Freda pleadingly. ‘She’s fell out with Min. Well, that ain’t difficult, Min’s a cow at the best of times with all that God-bothering and poncing around she does. Thinks herself a cut above cos she’s got Joe and all that land. It could work out, Dora living at yours. You know it could.’

‘Work out how, exactly?’ asked Lil. ‘I know you think the sun shines out of her arse, our mum, but the fact is, Dora is trouble with a capital T. I don’t want her at mine. You know the types she mixes with. I don’t want Alec getting hassled by Dora’s “boyfriends”. Or any of those dodgy bastards. He’s not up to it. I won’t have it.’

‘Well I . . .’ Freda’s face was a picture of outrage.

Lil got to her feet. ‘It ain’t happening, Mum. Not over my dead body. So put it right out of your mind.’ She snatched up the letter. ‘And I’ll take this, so you don’t go doing nothing daft. Dora’s all right. She could fall in a vat of shit and come out smelling of violets, you know she could. So just leave it.’

56

Bruno Graves watched the oldest O’Brien girl come out of the mother’s house and stroll off along the street. He fell into step behind her, thinking that he’d struck out on the bloke who worked in the invoicing department at the foundry, but one of the O’Briens had to have some sort of contact with Dora, and if they did, then he was just the man to get it out of them.

Lil walked quickly away, passing along by the canal and then under the railway bridge. The perfect place. This one he’d noticed was the wife of the bloke from the foundry. Bruno walked faster, getting closer and closer to her. Her footsteps echoed under

here, ghostly. And then his. He saw her become aware of his footsteps, moving up faster, closer behind her, and he saw her nervous half-glance over her shoulder.

Yeah, bitch. Here it comes for you.

Closer, closer.

Now she was hurrying. Glancing back, picking up her pace, anxious to get out into the daylight again.

He was eight strides behind her, closing fast.

The light under here was greenish, the dirty canal waters lapping, the footsteps now filling the place. Bruno saw her almost start to trot. But she wasn’t going to get away.

Lil ran out from under the railway arch and straight into Donny Maguire. He staggered back a pace in surprise and caught her upper arms. She was wide-eyed, breathless.