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Contents ( 95)
  1. Dedication
  2. Contents
  3. Part 1
  4. August, Block Island
  5. Prologue
  6. Part 2
  7. Two Months Ago, June
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. Part 3
  30. July
  31. Chapter 22
  32. Chapter 23
  33. Chapter 24
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Chapter 34
  44. Chapter 35
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Part 4
  51. August
  52. Chapter 41
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. Chapter 52
  64. Chapter 53
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Chapter 63
  75. Chapter 64
  76. Chapter 65
  77. Chapter 66
  78. Chapter 67
  79. Epilogue
  80. Acknowledgments
  81. P.S. Insights, Interviews & More . . .*
  82. About the Author
  83. Meet Meg Mitchell Moore
  84. A Conversation with Meg Mitchell Moore
  85. About the Book
  86. Behind the Book
  87. Reading Group Guide
  88. Read On
  89. An Excerpt from Two Truths and a Lie
  90. Prologue
  91. June
  92. I: THE SQUAD
  93. Praise for The Islanders
  94. Copyright
  95. About the Publisher

About the Book

Behind the Book

You’ve probably seen the ads for MasterClass pop up on your computer screen or television. Through these online classes, one can learn cooking from Gordon Ramsay, conservation from Jane Goodall, comedy writing from Steve Martin, acting from Natalie Portman, and so on.

A few years ago, when I had published three novels and was working on my fourth, my attention snagged on an ad for a class by a bestselling thriller writer. I was intrigued. Yes! This was clearly what the next step in my career was meant to be. “I’ll write a thriller!” I thought. “And I’ll quickly become a gazillionaire. This is going to be so easy. Thank you, MasterClass!” I joined this writer’s class and tried to absorb everything I could about outlining and plotting and raising the stakes and pacing.

I really enjoyed my MasterClass. But I remain a terrible outliner. My plots come together after many drafts—never before the book is written. Now that I’m six books in and partway finished with my seventh I’m mostly at peace with the fact that I might never write a tightly outlined, intricately plotted thriller that sells in every airport from here to Timbuktu.

And yet, one thing happened during that MasterClass that is a big part of why you’re holding this book in your hands right now. The instructor mentioned a daily schedule of writing in the morning, eating lunch with his wife, and then going back to write more in the afternoon. And this is the part of the class I grabbed onto. I no longer wondered, “How can I raise the stakes for my characters in the first chapter?” but, instead, “What is life like for the wife of this writer? What is lunch like? Do they cook? Eat sandwiches, grilled or otherwise? Order out? Perhaps, maybe on Fridays, dine at a local establishment? Who does the dishes?” On and on went the list of questions marching through my head, and before long I had a character for the book that became The Islanders, my fifth novel. She was Dorothy Puckett, wife of bestselling thriller author Leonard Puckett. Soon my imagination gave birth to Dorothy and Leonard’s only son, Anthony Puckett, whose point of view became one of the three main ones in The Islanders.

I have never met the writer who taught my class. By all accounts he is a lovely individual, generous with both his wealth and his time, and I have nothing but admiration for him and all that he has achieved. Everything un-nice about Leonard Puckett is one hundred percent fiction. I’m telling this story only to illustrate that from a tiny seed an entire novel can grow.

Well, part of a novel. After a time, I created some company for the Pucketts, my other main characters: Joy, a single mother and small business owner, and Lu, a secret food blogger posing as a stay-at-home dad. But what small business should Joy run? I knew I wanted it to serve some sort of delicious baked good—I named the bakery, Joy Bombs, before I named Joy. Here I turned to local inspiration. In the town where I live, Newburyport, Massachusetts, there’s a wonderful bakery called Chococoa that specializes in mini whoopie pies. I’ve been a fan as long as the place has existed. I asked the owners, Julie Ganong and Alan Mons, if I could borrow their whoopie pies and put them in my book. Not only did they grant me enthusiastic permission, they gave me a tour of their kitchen, explained the intricacies of their machinery, and even agreed to host the book launch party at the bakery. (If you have never been to Newburyport, put it and Chococoa on your next New England travel itinerary. And if you’d like to try your hand at creating your own whoopie pies, please see the recipe included in this book.)