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Contents ( 54)
  1. The Hour Before Dawn
  2. Table of Contents
  3. PROLOGUE
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. EPILOGUE
  49. ACKNOWLEDGEMENTS
  50. About the Author
  51. THE HOUR BEFORE DAWN
  52. By the same author
  53. Copyright
  54. About the Publisher

Stuart Montrose had whispered. ‘It is the worst, the very worst thing of all to outlive your child. It is the thing that breaks your heart.’

Fleur turned again to the landscape outside the train window. In the distance where the rubber plantations had once stretched as far as the eye could see now lay palm oil trees. As a child and a young wife she had found them eerie. On the long, long, straight road to the coast her father would stop so that they could all pee behind a tree, and if Fleur had not been desperate she would never have entered the shade of the rubber trees. The rubber tappers, their faces hidden by scarves, moved silently, sliding from tree to tree, emptying the rubber from the small tap on the trunk and moving quickly on to the next tree, like shadows or ghosts.

Fleur knew her fear was due partly to the stories her father had told her about the communist insurgents of the 1950s when plantation owners and managers had been attacked and killed, but she always found the stillness of the rubber plantations sinister and in some way threatening; a place where people could hide and pounce. The palm oil trees, with their thick green fronds, softened the landscape, their shape curving like the tops of pineapples.

After David’s funeral, Fleur had lain motionless in the dark, one twin each side of her in the lumpy bed. Saffie placed her fingers on her mother’s ribcage to see if she was still breathing. Her fingers felt, under the cotton nightdress, the flutter and throb of Fleur’s heart. She wanted to whisper to Nikki over her mother’s still form. She wanted to feel her sister’s warmth seep into her. If Mum died there would be no one, only their grandparents. They would have to live in this horrid village and probably go to boarding school.

Saffie trembled with fear of the future. Would they have to stay in this cold house of long corridors and draughty rooms? Here in this rolling garden full of huge fir trees that shaded the lawns and made you shiver? Where the roses smelt in the middle of the day but there was no scent of frangipani wafting in on the morning wind; no white frangipani petals covering the lawns. There was no familiar sound of the kebun brushing the bruised petals up with his long, slow, indolent sweeps.

No bougainvillaea climbed the walls of this house in a great purple cloud. There were no sounds of cicadas in the night or Ah Heng’s high cackling voice coming from the kitchen. Saffie ached with homesickness: for the Chinese chimes moving imperceptibly in the draught of the shuttered windows; for Ah Heng just a shout away.

Home; where Daddy had been, his laughter filtering through the rise and fall of sleep, making you smile as if you were awake. His laugh mixed up with the sound of music, of people chatting and partying.