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Chapters (85)
  1. Cover
  2. Also by Joakim Zander
  3. THE FRIEND
  4. Copyright
  5. Contents
  6. Dedication
  7. Epigraph
  8. 1
  9. 5 August
  10. 21 November
  11. 5 August
  12. 21 November
  13. 5 August
  14. 21 November
  15. 12 August
  16. 21 November
  17. 14 August
  18. 21 November
  19. 17–22 August
  20. 22 November
  21. 24 August
  22. 22 November
  23. 7 September–16 October
  24. 22 November
  25. 16 October
  26. 22 November
  27. 20 October
  28. 22 November
  29. 20 October–13 November
  30. 22 November
  31. 13–14 November
  32. 22 November
  33. 14 November
  34. 22 November
  35. 14 November
  36. 23 November
  37. 14 November
  38. 2
  39. 23 November
  40. 14 November
  41. 23 November
  42. 14–15 November
  43. 23 November
  44. 15 November
  45. 23–24 November
  46. 15 November
  47. 24 November
  48. 15–21 November
  49. 24 November
  50. 21 November
  51. 24 November
  52. 23 November
  53. 24 November
  54. 23 November
  55. 24 November
  56. 24 November
  57. 24 November
  58. 24 November
  59. 24 November
  60. 3
  61. 24 November
  62. 24 November
  63. 24 November
  64. 24 November
  65. 25 November
  66. 25 November
  67. 25 November
  68. 25 November
  69. 25 November
  70. 25 November
  71. 25 November
  72. 25 November
  73. 25 November
  74. 25 November
  75. 25 November
  76. 25 November
  77. 25 November
  78. 25 November
  79. 25 November
  80. 25 November
  81. 26 November
  82. 26 November
  83. 26–28 November
  84. Acknowledgements
  85. An Invitation from the Publisher

The arrivals hall is full of people waiting for family and friends. He stops and scans the motley crowd, turning his head towards the taxi drivers and their handwritten signs. He thinks he’s mistaken at first, but one of them is holding up a name that makes him jump.

Patrik Andersson.

The driver in a leather jacket sees him at the same time – he must have been briefed on his appearance – and starts to approach. ‘Mr Andersson,’ he says in accented English. ‘Come with me, please.’

Jacob looks around and hesitates for a moment. He has to trust this will work out, that Yassim will make it work out. He follows the driver out of the building. They pass by taxis and cross the street into the darkness outside, towards the parking garage.

‘My car is over here,’ the driver says, without turning.

Jacob follows him towards the dull yellow lights of the garage. They don’t take the elevator, just stay on the street level, heading deeper and deeper into the building, towards one of the most remote corners.

‘It’s just over here, not far,’ the driver says.

Jacob thinks he hears a car door opening and closing again and footsteps echoing.

‘There,’ says the driver, pointing to an old black Citroen.

The footsteps are approaching from behind. Something’s not right. There is no taxi; it looks like a private car. And why is it parked out here, so far away, despite the fact that there are so many parking spots close to the terminal?

‘Wait,’ he says, stopping. ‘Who sent you to pick me up?’

The man turns to him with his hand in his pocket. He’s holding a gun, it’s obvious, far too obvious.

‘Your friend sent me,’ he says. ‘Yassim.’

Just as he says it, Jacob hears footsteps right behind him. He doesn’t have time to turn, just feels his jacket being lifted above his waist, feels a cold breeze on his bare skin.

A needle is stuck into his side. The garage spins around, his legs buckling beneath him, and everything goes black.

24 November

Brussels

Klara exits George’s building and turns right, heading in the opposite direction from the intersection and the bakery, to avoid passing by the man in the old BMW. She sticks close to the grey buildings; this residential street is empty and silent at this time of day – most people are at work.

She hasn’t gone far when she hears a car door open and close behind her. Damn, that was too simple. She’d been convinced George’s plan would prove useless. Just a few more steps to the Avenue Louise, as quickly as possible, then down to Place Stéphanie and the subway.

She throws a glance over her shoulder. The side street where George lives is almost empty, except for a dark-haired woman in jeans. She turns her head to get a better look further up the street.