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Chapters (85)
  1. Cover
  2. Also by Joakim Zander
  3. THE FRIEND
  4. Copyright
  5. Contents
  6. Dedication
  7. Epigraph
  8. 1
  9. 5 August
  10. 21 November
  11. 5 August
  12. 21 November
  13. 5 August
  14. 21 November
  15. 12 August
  16. 21 November
  17. 14 August
  18. 21 November
  19. 17–22 August
  20. 22 November
  21. 24 August
  22. 22 November
  23. 7 September–16 October
  24. 22 November
  25. 16 October
  26. 22 November
  27. 20 October
  28. 22 November
  29. 20 October–13 November
  30. 22 November
  31. 13–14 November
  32. 22 November
  33. 14 November
  34. 22 November
  35. 14 November
  36. 23 November
  37. 14 November
  38. 2
  39. 23 November
  40. 14 November
  41. 23 November
  42. 14–15 November
  43. 23 November
  44. 15 November
  45. 23–24 November
  46. 15 November
  47. 24 November
  48. 15–21 November
  49. 24 November
  50. 21 November
  51. 24 November
  52. 23 November
  53. 24 November
  54. 23 November
  55. 24 November
  56. 24 November
  57. 24 November
  58. 24 November
  59. 24 November
  60. 3
  61. 24 November
  62. 24 November
  63. 24 November
  64. 24 November
  65. 25 November
  66. 25 November
  67. 25 November
  68. 25 November
  69. 25 November
  70. 25 November
  71. 25 November
  72. 25 November
  73. 25 November
  74. 25 November
  75. 25 November
  76. 25 November
  77. 25 November
  78. 25 November
  79. 25 November
  80. 25 November
  81. 26 November
  82. 26 November
  83. 26–28 November
  84. Acknowledgements
  85. An Invitation from the Publisher

‘But that’s no place for you.’

Jacob just nods. ‘Well, it will have to be. Drive me as close as you can.’

The driver shrugs and mutters something inaudible, but at least he speeds up.

The envelope is on Jacob’s knee, and he fumbles to get a finger in one corner, under the tab. With a quick flick he opens it, grabs hold of the contents, and pulls them into the light.

23–24 November

Brussels

Klara jumps off the sofa as soon as she hears the key slide into the lock. She knows it’s George, but still she’s so tense, so close to breaking point, that she runs into the kitchen. She’s grabbing a large carving knife from out of the top drawer, when he enters the kitchen bearing two plastic bags full of aluminium containers from the restaurant.

‘Hey!’ he says and slowly lowers the bags onto the kitchen floor, then holds his hands up. ‘What the hell are you up to?’

She’s holding the knife in front of her, pointing it at him. She points it downwards, then drops it with a jangle onto the tile floor. Then she sinks down and looks up at him.

‘I’m so fucking messed up,’ she whispers, then lowers her eyes. ‘I don’t know what the hell I’m doing any more. I’m being followed, I see men on every street corner…’

He also sinks down in front of her and puts a hand on her cheek. ‘I know,’ he says. ‘I know exactly what it’s like.’

‘You know?’ she says sceptically and looks at him again. ‘I honestly don’t think you can imagine how…’

But he’s not listening; he’s moved his hand from her face to somewhere behind his back and he seems to be pulling something from the waistband of his trousers. When he brings his hand forward again, he’s holding something so big and black and terrifying that Klara scoots back and almost falls backwards onto the floor.

‘What the hell!’ she says. ‘A gun? Are you crazy?’

He holds it in his palm and gently puts it down on the floor between them. ‘You’re not the only one with issues, Klara. Why do you think I’m moving home? Why do you think I’m leaving my fucking dream job? After everything we went through in the archipelago a couple of years ago, then this summer… I didn’t think I’d survive it. And I’m so tired of being afraid.’

She meets his naked, terrified eyes. ‘I didn’t know you…’ she begins.

‘You remember that Christmas in the archipelago two years ago? I was kidnapped by my clients who turned out to be a freaking CIA death squad, as you might remember?’

He smiles crookedly.