Chapters (47)
- Cover
- Dedication
- PROLOGUE
- BOOK ONE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- BOOK TWO
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- BOOK THREE
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- BOOK FOUR
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- BOOK FIVE
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- ACKNOWLEDGMENTS
- Book Ends
- A Conversation with Naomi Krupitsky
- Discussion Guide
- The Family Playlist
- Rosa Colicchio’s Minestrone Soup
- ABOUT THE AUTHOR
- What’s next onyour reading list?
“You didn’t mean what?” There is whiskey on Joey’s breath. “You didn’t mean to ruin my daughter’s life? You didn’t mean to take the job I gave you? You didn’t mean to set foot in this fucking country?” He looks right into Saul’s face. “You bet your figlio di puttana Jewish ass you’ll wish you didn’t do any of those things.”
Suddenly, Saul realizes he is looking at a different Joey Colicchio than the suave and charismatic man who sends him upstate or to the dock at Ellis Island to collect terrified German and Austrian and Hungarian refugees. The Joey Colicchio steaming in front of him, hands around his throat, is the murderer—the one who has watched men shit themselves and beg for their lives and has sent them sleeping into the Hudson with bricks tied to their ankles. Saul realizes that Joey could kill him. He might die.
“I love her,” he says. “I know you don’t believe that, but I do.”
Joey Colicchio loosens his hold around Saul’s neck. Saul crumples to the floor. Joey reaches into his back pocket and pulls out a pistol. He points it at Saul.
Saul stares down the barrel of his own mortality and wonders if maybe this is the way it’s supposed to be. It would be so simple. For a moment, Saul considers the luxury of surrender with relief and gratitude.
“You love her,” says Joey, without lowering the pistol. “You fucking love her?”
“I love her,” says Saul. They aren’t bad last words, he thinks.
“Stand up,” says Joey, and gestures with the gun.
Saul stands. Joey levels the gun at Saul’s chest. Saul closes his eyes.
“Open your eyes,” says Joey.
Saul opens them.
“First rule of fatherhood,” says Joey. “You don’t get to die now. It’s not about you.”
—
When he gets home, Joey Colicchio pulls the pistol out of his jacket pocket and wraps it in muslin, slides it into his desk drawer.
Joey kisses Rosa. He peeks into Frankie’s bedroom and tells her, “Lights out, now.” And then he turns down the hall to Sofia’s room. She is brushing her hair and in her stark face Joey can see the baby he cradled in the hospital, the five-year-old he brought along to Manhattan meetings, the fourteen-year-old who stood, so mad she almost levitated, and told him—told him!—she wouldn’t come with them to church. He doesn’t know what to say, but he aches for her, so Joey clears his throat before entering his daughter’s room. She looks up at him and he bends and cups Sofia’s face in his hands. “La futura mamma,” he says, like it is easy. And Sofia says, “Papa,” softly, and Joey Colicchio folds her into his arms and for a moment is filled with unadulterated wonder.